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TRAGEDIA ENDOGONIDIA - A.#02 AVIGNON (2002)
In an environment coloured with talcum powder, the Soldiers of Conception escort a Child-Judge as he walks backwards across the set. When he bumps into the Tables of the Law, reality is overturned and all interiors becomes exterior.
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TRAGEDIA ENDOGONIDIA - C.#01 CESENA (2002)
As the first character to appear – the Mother – enters a square, gold-walled room, she blends so perfectly into the background that all perspective is lost. The visual order is disarticulated by the reflection of the gold to such an extent that even the woman skin loses its “hold” on solidity.
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TRAGEDIA ENDOGONIDIA - S.#08 STRASBOURG (2004)
Le Maillon Théatre is a huge pavilion originally built for international exhibitions. A number of people are present, but nothing happens. Something may happen outside, on the other side of the window which separates the theatre from the car park, but inside the theatre, everyone is lost.
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TRAGEDIA ENDOGONIDIA - R.#07 ROME (2003)
Mussolini is surrounded by pictures torn from a history-generated dream which gradually merge into everyday reality. Harlequin is the servant of two masters. The permanence of the clergy in the Eternal City is placed under a great bell which swings without a clapper.
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TRAGEDIA ENDOGONIDIA - M.#10 MARSEILLE (2004)
A human figure dressed as a woman is anatomically exposed by means of a series of photographic poses. The show is seeped from beginning to end in darkness, an allusion to the photographic negative.
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TRAGEDIA ENDOGONIDIA - C.#11 CESENA (2004)
A nightmare which envelops the everyday tranquility of domestic life, turning it into a tragedy. Confusion between man, animal and God.


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