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poster

81

7.8

/18365/

74

/522/

79

/451/

83

/12/

93

age 8+

A family of friendly monsters that have misadventures all while never quite understanding why people react to them so strangely.

poster

80

79

8.2

/14911/

79

/422/

79

/419/

age 10+

Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show's production company, Talent Associates, to capitalize on "the two biggest things in the entertainment world today"—James Bond and Inspector Clouseau. Brooks said: "It's an insane combination of James Bond and Mel Brooks comedy." This is the only Mel Brooks production to feature a laugh track. The success of the show eventually spawned the follow-up films The Nude Bomb and Get Smart, Again!, as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart's opening title sequence at No. 2 on its list of TV's Top 10 Credits Sequences, as selected by readers.

poster

77

7.8

/13647/

78

/544/

75

/176/

Hogan's Heroes is an American television sitcom that ran for 168 episodes from September 17, 1965, to July 4, 1971, on the CBS network. The show was set in a German prisoner of war camp during World War II. Bob Crane starred as Colonel Robert E. Hogan, coordinating an international crew of Allied prisoners running a Special Operations group from the camp. Werner Klemperer played Colonel Wilhelm Klink, the commandant of the camp, and John Banner was the inept sergeant-of-the-guard, Hans Schultz. The series was popular during its six-season run. In 2013, creators Bernard Fein through his estate and Albert S. Ruddy acquired the sequel and other separate rights to Hogan's Heroes from Mark Cuban through arbitration and a movie based on the show has been planned.

poster

76

7.6

/26585/

75

/765/

79

/707/

age 7+

Samantha Stephens is a seemingly normal suburban housewife who also happens to be a genuine witch, with all the requisite magical powers. Her husband Darrin insists that Samantha keep her witchcraft under wraps, but situations invariably require her to indulge her powers while keeping her bothersome mother Endora at bay.

poster

75

56

8.1

/5132/

73

/79/

72

/58/

Richard Kimble is falsely convicted of his wife's murder and given the death penalty. En route to death row, Kimble's train derails and crashes, allowing him to escape and begin a cross-country search for the real killer, a "one-armed man". At the same time, Dr. Kimble is hounded by the authorities, most notably dogged by Police Lieutenant Philip Gerard.

poster

63

26

7.4

/2088/

55

/21/

62

/17/

Revolves around typical family problems, such as firing a clumsy housekeeper, throwing a retirement bash for a colleague, and finding quality time away from the children.

poster

64

20

8.2

/1549/

55

/20/

55

/11/

Naked City is a police drama series which aired from 1958 to 1963 on the ABC television network. It was inspired by the 1948 motion picture of the same name, and mimics its dramatic “semi-documentary” format. In 1997, the episode “Sweet Prince of Delancey Street” was ranked #93 on TV Guide’s “100 Greatest Episodes of All Time”.

poster

?

7.5

/89/

10

/4/

50

/1/

Hey, Landlord is an American sitcom appearing on NBC during the 1966-1967 season, sponsored by Procter & Gamble in the 8:30-9pm Eastern time period on Sunday nights. It is notable for its casting director Fred Roos, who later became a producer for Francis Ford Coppola. Roos discovered counterculture sketch group The Committee in San Francisco and cast all members in bit parts in Hey, Landlord.

poster

55

?

7.7

/318/

35

/5/

53

/3/

age 14+

Kraft Suspense Theatre is an American anthology series that was telecast from 1963 to 1965 on NBC. Sponsored by Kraft Foods, it was seen three weeks out of every four and was pre-empted for Perry Como's Kraft Music Hall specials once monthly. Como's production company, Roncom Films, also produced Kraft Suspense Theatre. Writer, editor, critic and radio playwright Anthony Boucher served as consultant on the series. Later syndicated under the title Crisis, it was one of the few suspense series telecast in color at the time. While most of NBC's shows were in color then, all-color network line-ups did not become the norm until the 1966-67 season.

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