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poster
56
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7.6
/112/
10
/3/
80
/1/

Lagardère (1967)
Lagardère is a French miniseries consisting of six 50-minute episodes, created by Marcel Jullian based on Paul Féval's novel Le Bossu (the eighth film adaptation outside of theater, out of 10 known adaptations), and some of the sequels imagined by Paul Féval Jr.1, directed by Jean-Pierre Decourt, and broadcast from September 20 to October 25, 1967, on the first channel of ORTF.
poster
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10
/2/

Le Petit Monde de Marie-Plaisance (1969)
N/A
poster
?
6.5
/12/
10
/2/
40
/3/

The Borgia, or the Golden Blood (1977)
A 3 part drama series about the notorious powerful Borgia family who took power in Italy in the 15th/16th centuries.
poster
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7.8
/84/
10
/2/
67
/3/

At the Theater Tonight (1966)
At Theater tonight is a TV show broadcasted from 25th August 1966 to 21st September 1985. The show is broadcast plays recorded in two or three days, during public performances at the Théâtre Marigny on the Champs-Élysées, or sometimes Edouard VII theater.
poster
72
?
8.7
/455/
58
/12/
80
/6/

The Accursed Kings (1972)
It is the start of the 14th century and Philip IV the Fair reigns supreme over France. His three sons would rule after him. Isabelle, his only daughter, is married to King Edward II of England. Under Philip's reign, France is great but its people are unhappy. Only one power dares to stand up to him: the order of the Knights Templar. When the last Grand Master of the Temple, Jacques de Molay, is burned at the stake, he curses Philip and so begins a dark period, full of blood and violence, death and tears ...
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Les Cent Livres des Hommes (1970)
Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.


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