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The Best Ayu Kitaura TV Shows. Go to The Best Movies

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poster

77

34

7.7

/1157/

74

/55/

82

/28/

3.8

/315/

Tokunaga, a comedian who is down on his luck, has a shock encounter with Kamiya, an older comedian when he visits a fireworks event in Atami on a job. Tokunaga is deeply touched by Kamiya and asks if he can become his apprentice. Kamiya is a genius type of comedian who is full of human kindness. He accepts Tokunaga’s proposition on the condition that he will write his biography.

poster

73

29

7.3

/1063/

74

/66/

74

/23/

3.9

/1113/

The Mobile Investigative Unit (known as "MIU") of the Tokyo Metropolitan Police Department attempts to solve cases within 24 hours. Detective Kazumi Shima is selected as a new member of MIU. He is intelligent, with excellent observation and communication skills. Yet, he does not trust other people. He is unable to find a partner in MIU and is ordered to partner with Police Officer Ai Ibuki, who works at a police substation. Ibuki applied for MIU, but he failed. He is in excellent physical condition, but he lacks knowledge and experience as a detective. Shima learns about Ibuki's background and he becomes more nervous. Finally, Shima has his first meeting with Ibuki.

poster

73

19

7.3

/502/

70

/27/

78

/17/

3.6

/215/

Freelance programmer Sakagami is paralyzed in the lower half of his body and confined to a wheelchair. He sets up a company called dele.LIFE in partnership with a law firm established by his late father. At the request of clients, Sakagami works together with a freelance jack-of-all-trades Mashiba to delete all unfavorable digital records of their clients left in their computers and smartphones after they die. They are not supposed to see inside the files but when they feel something strange in the client’s death, they cannot help getting involved.

poster

?

5.9

/77/

10

/2/

Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.

poster

?

7.0

/48/

60

/5/

88

/4/

A slice of life comedy where Furutachi Kanji and Takito Kenichi play poor brothers Ichiro and Jiro respectively. Older one (Ichiro) is very serious while the younger one (Jiro) is trying to start rental father/uncle service and they have to deal with issues from their clients.

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