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poster
The Roku Channel
76
55
8.0
/3986/
75
/71/
75
/44/
cc age 13+

The Professionals (1977)
The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.
poster
The Roku Channel
69
45
7.6
/2868/
68
/65/
67
/48/

Tales of the Unexpected (1979)
A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.
poster
71
45
7.2
/2845/
72
/50/
70
/48/

The New Avengers (1976)
The New Avengers is a British secret agent fantasy adventure television series broadcast during 1976 and 1977. It is a sequel to the 1960s series The Avengers and was developed by Albert Fennell and Brian Clemens. A joint United Kingdom-France-Canada production, the show picks up the adventures of John Steed and his team of Avengers fighting evil plots and world domination. Whereas in the original series Steed had almost always been partnered with a woman, in the new series he had two partners: Mike Gambit, a top agent, crack marksman and trained martial artist, and Purdey, a former trainee with The Royal Ballet who was an amalgam of many of the best talents from Steed's previous female partners.
poster
67
26
7.6
/1577/
65
/28/
62
/20/

The Champions (1968)
N/A
poster
69
19
7.0
/803/
60
/15/
78
/16/

In Sickness and in Health (1985)
This final follow-up to 'Till Death Us Do Part' follows an aged Alf Garnett, now dealing with his wife Else's declining health and mobility, as well as the challenges of navigating the social security system and other everyday situations.
poster
67
14
7.6
/1238/
56
/19/
68
/6/

The Onedin Line (1971)
The Onedin Line is a BBC television drama series which ran from 1971 to 1980. The series was created by Cyril Abraham. The series is set in Liverpool from 1860 to 1886 and deals with the rise of a shipping line, the Onedin Line, named after its owner James Onedin. Around this central theme are the lives of his family, most notably his brother and partner, shop owner Robert, and his sister Elizabeth, giving insight into the lifestyle and customs at the time, not only at sea, but also ashore. The series also illustrates some of the changes in business and shipping, such as from wooden to steel ships and from sailing ships to steam ships. It shows the role that ships played in affairs like international politics, uprisings and the slave trade.
poster
45
?
7.7
/158/
10
/3/
50
/1/

The Mind of Mr. J.G. Reeder (1969)
The Mind of Mr. J.G. Reeder is based on a character created by Edgar Wallace in a series of 1925 short stories of the same name, Hugh Burden played the titular character – A mild-mannered investigator with the Department of Public Prosecutions.
poster
?
7.1
/61/
10
/3/
72
/4/

Theatre 625 (1964)
Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.
poster
54
?
7.4
/155/
36
/6/
55
/4/

Mystery and Imagination (1966)
Mystery and Imagination is a British television anthology of classic horror and supernatural dramas. Five series were broadcast from 1966 to 1970 on ITV and produced by ABC and Thames Television.
poster
?

The Jazz Age (1968)
An anthology of 1920s set plays and musicals, transmissioned from 10 September to 10 December 1968 on BBC One.


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