mdblist.com logo The Best Ayoub El Hilali TV Shows. Go to The Best Movies


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poster
77
7.6
/5423/
76
/1244/
81
/275/

La que se avecina (2007)
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
poster
74
50
7.4
/1734/
78
/184/
71
/56/

Tell Me How It Happened (2001)
Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.
poster
74
44
6.4
/279/
67
/65/
55
/12/
100
/72/
84

Madres: amor y vida (2020)
N/A
poster
64
?
6.5
/116/
66
/56/
62
/4/

Detective Touré (2024)
N/A
poster
51
?
6.4
/113/
54
/19/
37
/3/

Pelotas (2009)
Pelotas is a Spanish tragicomedy television series created by José Corbacho and Juan Cruz, set in Hospitalet de Llobregat, a suburb of Barcelona. It was broadcast on La 1, the primary channel of Televisión Española, between 23 February 2009 and 7 June 2010. The series is based around the lives of local Unión Fútbol Club supporters.
poster
The Roku Channel
68
?
6.8
/73/
60
/13/
77
/3/

Promises of Sand (2019)
A young girl leaves the comfort of her home town to work for an NGO at a hospital in Libya. Adaptation of the novel by Laura Garzón.


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