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poster
76
49
7.8
/2215/
77
/180/
73
/28/

HANA-KIMI (2007)
Japanese-American track star Mizuki Ashiya transfers from a school in California to Japan, but not to just any old school. The school is Osaka High School—an all male high school! Mizuki Ashiya must disguise herself as a boy, all to get closer to her hero, Izumi Sano, a high-jump athlete who attends Osaka High. Now with short hair, flattened chest, and deeper voice, Mizuki becomes roommates with Izumi Sano, but trouble soon starts to brew. Izumi Sano discovers by accident that Mizuki is a girl and falls in love with her, but Mizuki is unaware of the fact. Complicating things, fellow classmate Shuichi Nakatsu starts to develop feelings for Mizuki, unaware that she is a girl!
poster
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6.7
/8/
10
/1/

Reset (2009)
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poster
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10
/1/

行列48時間 (2009)
N/A
poster
?
7.0
/61/
10
/3/
70
/1/

Mr. Kinpachi in Class 3B (1979)
A legendary television series and cultural asset, Mr. Kinpachi in Class 3B is famous for putting many social issues on the front burner of the public conscious over its long run, as filtered through the emotionally volatile lives of third year middle school students. The heartfelt relations between a devoted schoolteacher, Kinpachi Sakamoto, and his unique students have won the show high praise for several decades. Whether due to the pressures of exams, family relations, teachers and friends, graduating middle school students navigate a turbulent hormonal sea of “hope” and “frustration”, constantly shaped by the social environment of the times. Standing as a beacon in the storm and emitting messages of hope for each generation is one Japanese teacher, Kinpachi Sakamoto, who has come to be adored and admired by a nation through the adventures of Class 3B.
poster
83
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9.2
/155/
81
/10/
82
/4/

Manben: Behind the Scenes of Manga with Urasawa Naoki (2015)
Urasawa Naoki no Manben (Naoki Urasawa's Manga Exertions) is a TV Documentary airing on NHK Educational TV. It follows acclaimed mangaka Naoki Urasawa (creator of 20th Century Boys and Monster) as he sets out to break new ground for manga even further than he already has. In an attempt to educate viewers about manga and preserve the intricate craftsmanship and process of Japanese artists on video for future generations, he invites a manga artist to have their workplace filmed for a couple of days, so as to display them in the process of crafting chapters for their current serializations. After the footage has been shot, Urasawa meets with the artist and they discuss the footage, talking about the artist's workplace and workflow, the difficulties involved in the mangaka lifestyle, their reasons for drawing manga in the first place, and their perspective on the current industry and their own work.
poster
66
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7.5
/72/
61
/15/
62
/4/

Veterinarian Dolittle (2010)
Tottori Kenichi is a foul-mouthed but gifted veterinarian nicknamed Dolittle. His catch phrase is 'pet care means business'. He is the director of his animal clinic and rescues not only 'voiceless' pets but also helps their owners, who lack understanding and caution, with their problems and worries. Working with him is animal nurse Tajima Asuka. Hanabishi Masaru is Dolittle's rival, a charismatic vet and director of another animal hospital who has not only an opposite personality but also a different stance towards pet care.
poster
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6.6
/28/
57
/8/
70
/3/

Boys on the Run (2012)
Toshiyuki Tanishi (Ryuhei Maruyama) is 27-year-old single guy, who has never had a girlfriend in his whole life. He works for small toy company, Saida Company. People view Toshiyuki Tanishi as stupid and the last person who will achieve success. Meanwhile, Toshiyuki has feelings for co-worker Chiharu (Akina Minami), but is unable to approach Chiharu. Instead, Toshiyuki goes to telephone clubs or watch adult videos. One day, Toshiyuki gets along with the salesman Aoyama (Takumi Saito), from rival company Manmos. With Aoyama's suggestion, Toshiyuki is finally able to have dinner with Chiharu. After dinner, Toshiyuki and Chiharu miss the last train and go to a hotel.
poster
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10日間で運命の恋人をみつける方法 (2019)
N/A


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