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poster
53
?
8.2
/102/
10
/1/
67
/3/

Des Christoffel von Grimmelshausen abenteuerlicher Simplizissimus (1975)
The boy Simplizissimus grows up with simple farmers in the Spessart region. But the idyll is abruptly destroyed by the Thirty Years' War. Simplizissimus is sent to the besieged fortress of Hanau. When the lansquenets there play crude jokes on him, he flees with his friend Herzbruder to the Croats. But even here he does not fare much better.
poster
?
10
/2/
80
/1/

The Line (1978)
The series follows a group of Allied pilots who crashed in occupied territories during WWII. A network of civilians and Resistance fighters, "La Filière", is in charge of helping them pass from France to Spain so they can avoid capture.
poster
?
5.8
/20/
10
/2/

Julien Fontanes, magistrat (1980)
N/A
poster
?
7.5
/89/
22
/4/

Les Cinq Dernières Minutes (1958)
Les Cinq Dernieres Minutes is a crime based French television series
poster
?
5.9
/20/
10
/4/
60
/1/

Numéro un (1975)
A French variety show.
poster
64
?
7.4
/159/
32
/4/
86
/4/

Pif et Hercule (1989)
N/A
poster
?
7.8
/57/
10
/4/
90
/2/

Vidocq (1967)
François Vidocq has been sentenced to eight years' hard labor for a crime he didn't commit. Escaped with the help of his faithful friends Desfossés and Fil de fer, the convict is pursued by his lifelong enemy: the policeman Flambart. Between scams and disguises, Vidocq initially leads an undercover life in 19th-century Paris. Eventually, the two men team up to fight criminals... And Vidocq succumbs to Annette's charms.
poster
51
?
5.5
/146/
42
/8/
58
/7/

Police Commissioner Moulin (1976)
The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.
poster
?

Les Cent Livres des Hommes (1970)
Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.


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