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poster

72

6.8

/966/

65

/81/

63

/8/

3.8

/6209/

94

/64/

59

/8/

76

/13/

3.0

Filmmaker Theo Anthony offers a far-ranging look at the biases in how people see things, focusing on the recorded image.

poster

?

The invention of the cinematograph by Louis and Auguste Lumière in 1895 marked the culmination - synthesis, standardisation and industrialisation - of various research carried out in previous years on the decomposition and illusion of movement through a series of fixed shots (Demenÿ, Reynaud, Muybridge, Londe, Marey...). These images are now being reworked by the generation of "post-structuralist" filmmakers, for whom the magic of the device lies in the articulation of two images, which in no way are neutral.

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