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poster

74

7.0

/1092/

70

/39/

65

/16/

3.4

/4132/

94

/51/

81

/30/

75

/8/

3.0

Since her debut at the age of 18, musician, civil rights campaigner and activist Joan Baez has been on stage for over 60 years. For the now 82-year-old, the personal has always been political, and her friendship with Martin Luther King and her pacifism have shaped her commitment. In this biography that opens with her farewell tour, Baez takes stock in an unsparing fashion and confronts sometimes painful memories.

poster

69

49

6.6

/3045/

67

/181/

66

/53/

3.2

/19913/

Popcorn

85

/10/

age 8+

Trailblazing double bassist Orin O'Brien never wanted the spotlight, but when Leonard Bernstein hired her in 1966 as the first female musician in the New York Philarmonic, it was inevitable that she would become the focus of much interest and fascination. Now 87 years old and recently retired, Orin looks back on her remarkable life and career, insisting that a fuss should not be made, much preferring to play a supporting role to the family, students, friends, and colleagues that surround her.

poster

78

34

8.2

/743/

78

/67/

74

/10/

4.0

/4588/

Behind the scenes of Sarah McLachlan’s legendary all-women music festival and features interviews with performers including Bonnie Raitt, Erykah Badu, Olivia Rodrigo, and Emmylou Harris.

poster

?

8.6

/18/

Artistic lovers, Viv and Jay, have become trapped in a vicious cycle of codependent heroin addiction. But when Viv’s wealthy parents hire an interventionist to take Viv to rehab, the couple decides to set off on their own with the help of a suboxone prescription... all they have to do is survive a harrowing night through drug withdrawal.

poster

?

90

/1/

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

poster

?

8.6

/29/

100

/1/

78

/4/

μ's Final LoveLive! μ'sic Forever♪♪♪♪♪♪♪♪♪ was the farewell concert of the fictional idol group μ's from Love Live! School Idol Project, celebrating their career with emotional performances and marking the end of their activities.

poster

?

7.9

/29/

75

/2/

60

/3/

Portrait of Debbie Harry, co-founder of Blondie, punk rock pioneer, that was one of the few feminine icon in rock music at that time.

poster

59

?

6.5

/129/

40

/1/

74

/12/

What if French Rock were born with Edith Piaf? From sweet sixties pop to today's gender-indifferent anthems, from feminist rebels of the seventies to fashion icons of the social media age, from Françoise Hardy to Christine & The Queens, via Vanessa Paradis, Catherine Ringer, Charlotte Gainsbourg and many more, Oh Les Filles! tells the untold story of French female rock stars. Narrated by Clémence Poésy, this groundbreaking documentary combines interviews and iconic footage to radically reverse perspectives and give the patriarchy a kick!

poster

?

The forró musical genre from Northeastern Brazil is a male-dominated industry. Some of the few female musicians who managed to fight prejudice and misogyny in order to succeed offer their perspectives on the matter.

poster

?

Maren Morris invite us to witness a therapy session where she discuss details of her new album, D R E A M S I C L E.

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