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poster

84

7.7

/16057/

75

/262/

73

/289/

4.0

/24475/

93

/27/

90

/197/

4.0

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

poster

79

55

7.5

/2947/

78

/87/

83

/286/

4.0

/15352/

81

/14/

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

poster

?

6.7

/9/

90

/1/

70

/2/

West Germany underwent a period of rapid and extraordinary growth after the Second World War with rising wages and living standards. This economic miracle is often credited to Economics Minister Ludwig Erhard and the hard work of ordinary Germans. But on closer inspection, some hard truths and injustices from the Nazi era casts a shadow on this postwar rosy picture.

poster

?

10

/1/

90

/1/

'L'ultimo pugno di terra' (The Last Fistful of Land) is a 1966 documentary film directed by Fiorenzo Serra about the anguish and instability of the lower classes in a destitute Sardinia. Originally commissioned by the Sardinian regional government as a celebratory piece on the 'miraculous' effects of the 'Piano di Rinascita della Sardegna' (Sardinia's Rebirth Plan), the film instead shows an island still 'standing still in time', barely affected by the painful oxymoron of the inevitable changes taking place.

poster

65

?

7.5

/501/

57

/8/

65

/11/

Kurt Hoffmann′s satire concerning Germany′s development during the first half of the 20th century tells the story of two schoolmates - Hans and Bruno. They could not be more different. While Hans is ambitious and must always work hard for his career, it seems that the happy go lucky Bruno is carefree.

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