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poster
73
47
6.2
/1477/
57
/39/
65
/43/
4.0
/7115/
100
/9/
78
/3/

Dog Star Man (1965)
Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.
poster
56
46
5.3
/3326/
50
/68/
52
/91/
3.5
/9579/
56
/43/

Wavelength (1967)
Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.
poster
43
30
4.6
/1221/
36
/19/
42
/54/
3.0
/2806/
31
/494/

Blow Job (1964)
Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.
poster
38
15
3.5
/563/
23
/9/
36
/23/
2.9
/974/

Sleep (1964)
Footage of John Giorno sleeping for five hours.
poster
?
5.9
/19/
30
/1/
64
/5/

The Terrible Lovers (1985)
This standard romantic drama focuses on three different couples who happen to come together in a small hotel in Rome and play out their differences in that setting. The couples are made up of a Parisian woman and her Slavic boyfriend out to spend some quality time together; a Frenchman (Jean-Noel Picq) searching for his sexually awakened teenage mistress; and a woman out to reunite with her Italian lover (Michele Placido). These people manifest different approaches to a romantic partnership that are tested in their brief encounters in Rome.


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