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poster
66
58
6.7
/4477/
66
/174/
64
/199/
3.4
/17772/

Le manoir du diable (1896)
In a medieval castle, a dark magician thought to be Mephistopheles conjures up a series of bizarre creatures and events in order to torment a pair of interloping cavaliers.
poster
61
38
6.4
/1159/
57
/30/
58
/54/
3.4
/2300/

Mary Jane's Mishap (1903)
Mary Jane tries to light the oven. When she's unsuccessful, she plays around, getting black boot polish on her face. She mugs before a mirror. Then, it's back to work. When the stove still won't light, she pours in paraffin, winks at the camera, and lights a match. Kaboom! Is there any rest for the foolish, even in the grave?
poster
57
34
5.8
/899/
53
/32/
56
/54/
3.1
/2277/

Let Me Dream Again (1900)
Possibly the first film to utilize the technique of focus pulling. A man kisses a beautiful and lively woman, then the image blurs and dissolves into a clear image of the man waking up to his nagging wife.
poster
49
12
5.0
/400/
42
/14/
46
/14/
3.0
/614/

From Show Girl to Burlesque Queen (1903)
The film opens on a dressing room set with a mirror, dressing table, and chair center stage and a folded dressing screen on the left. A smiling, dark-haired woman enters through the door on stage right, unbuttoning a full-length polka-dot costume. As she undresses, she frequently looks directly at the camera and smiles. She removes her sash or cummerbund, the top with its trailing sleeves, and her skirt, leaving her clothed only in a sleeveless chemise. Smiling directly at the camera, she mischievously slips a strap of the garment off one shoulder, then ducks behind the screen.
poster
42
?
4.4
/161/
38
/6/
46
/5/

Scarecrow Pump (1904)
A pump stands outside a farmhouse, just inside a picket fence. A boy comes out of the house and dresses up the pump handle and its post as a scarecrow, so that he can play a practical joke on a drunken acquaintance when he passes by. The boy then hides and waits for him, but things do not turn out quite as he planned.
poster
43
?
4.8
/154/
36
/6/
46
/5/

The Strenuous Life; or, Anti-Race Suicide (1904)
A married couple faces the demands of what Theodore Roosevelt called 'the strenuous life'.
poster
37
?
4.5
/174/
30
/5/
37
/7/

Nervy Nat Kisses the Bride (1904)
A tramp gets involved in mischief on a train.
poster
37
?
4.3
/255/
31
/6/
39
/8/

Troubles of a Manager of a Burlesque Show (1904)
Facing a stationary camera, sitting at a desk, a man works busily. Posters of burlesque queens are on the wall behind him. A single woman, followed later by later two others, comes into the office seeking a job. The manager hands each a box with a costume in it and points to dressing rooms. Each of the women has a different reaction when she discovers the nature of her costume, and the busy manager has a distinct response to each of the women as well.


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