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poster
The Roku Channel
75
7.2
/98310/
71
/2917/
69
/1256/
3.5
/62075/
76
/154/
79
/2543/
64
/32/
cc age 18+

Frailty (2002)
A mysterious man arrives at the offices of an FBI agent and recounts his childhood: how his religious fanatic father received visions telling him to kill people who were in fact "demons."
poster
Amazon Prime Video
68
7.4
/9167/
72
/143/
71
/108/
3.6
/3759/
72
/18/
84
/240/

Lawn Dogs (1997)
In the affluent, gated community of Camelot Gardens, bored wives indiscriminately sleep around while their unwitting husbands try desperately to climb the social ladder. Trent, a 21-year-old outsider who mows the neighborhood lawns, quietly observes the infidelities and hypocrisies of this overly privileged society. When Devon, a 10-year-old daughter from one family, forges a friendship with Trent, things suddenly get very complicated.
poster
MGM Plus
47
5.2
/15623/
60
/616/
53
/340/
2.5
/10697/
29
/84/
31
/742/
40
/24/
cc age 7+

Clockstoppers (2002)
Until now, Zak Gibbs' greatest challenge has been to find a way to buy a car. But when he discovers an odd wristwatch amidst his father's various inventions and slips it on -- something very strange happens. The world around him seems to come to a stop, everything and everybody frozen in time. Zak quickly learns how to manipulate the device and he and his quick-witted and beautiful new friend, Francesca, start to have some real fun.
poster
?
3.0
/70/
20
/2/
40
/1/

Empire of Madness (1989)
Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.


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