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poster

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7.8

/7/

Bubisher, as well as being 'the bird of luck', is a word loaded with literary meaning in Spanish in the Sahrawi refugee camps of Tindouf. Seeing the way in which two cultures interact through small stories and tales can is striking and so is the contrast between the resilience of the young female generations and the realities of life in the desert. This documentary paints a picture of a generation of young female Sahrawis.

poster

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6.2

/14/

Fatma, who lives in Asuerd’s refugee camp in the Hamada of the Algerian desert, will listen in television to news that will give her a great idea … to contact with a girl from another side of the Atlantic Ocean: Sasha, one of the daughters of the president Obama.

poster

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8.1

/7/

Siya, Dumaha, Mata and Aziz are Saharawi refugees that live in camps in Tindouf (Algeria). They show us the daily extreme harshness of an exile that lasts for 40 years. We can discover the unknown reality of torture, mines and maimed people, child malnutrition or mental illnesses that plague the Saharawi people, who are condemned to live away from their homeland.

poster

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20

/1/

Tito likes playing football and tries to get good marks at school but unfortunately, he has some issues that shouldn't have children of his age. Nobody as the Sahrawi people knows what means to be on the map and being lost and forgotten at the same time.

poster

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8.3

/8/

Awserd refugee camp, Tindouf. Fatma has not seen her brother for 30 years, since they parted after the Moroccan invasion of Western Sahara. Now he is coming on a United Nations flight to stay for a few days. While Fatma and her family prepare for the visit, they describe their life in the worst corner of the Algerian desert. Meanwhile, human rights activists in the Sahara itself are persecuted by the Moroccan authorities. Leading figures and specialists in the subject set out their theories for securing a fair solution to this conflict, which has already continued for too long.

poster

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6.8

/6/

Dadah, a Sahrawi boy living in the Dakhla refugee camp, knows nothing beyond life in the desert, the sand-filled air, the ever-present dunes on the horizon, school, games, the sullen world of the conversations that adults have while they make tea… Through film, he will discover very different worlds.

poster

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60

/1/

The Sahara has been and is populated by peoples who have passed through and occupied it since time immemorial. The Sahrawis are one of these peoples. When Spain withdrew from its colony in 1976, Morocco invaded. Thousands have had to leave their lands to seek refuge in camps in the Sahara, in neighboring Algeria, and thousands have had to migrate to Spain and other destinations outside the Sahara. And it is the women who built the camps while the men fought, and it is they who have increasingly gained social, cultural, and political influence in the territory and in the diaspora. This is their history and their reality.

poster

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7.6

/5/

The Sahrawi people have lived in exile for almost half a century in the driest desert of the African continent. There, where basic resources such as water are scarce, there is a film school. As the world looks the other way, a group of young filmmakers carries out a battle against oblivion.

poster

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100

/1/

My Sahrawi family' is a report - documentary that reflects the bonds of unity between Sahrawi families and Spanish families who every summer welcome minors from refugee camps into their homes.

poster

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7.1

/95/

70

/3/

60

/2/

Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.

poster

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20

/1/

Young Mohamed Dih, who in Seville, returns to his birthplace – a refugee camp in Western Sahara. Time flows differently here: the times of the day are marked by calls to prayer and the seasons – by the rainfall. When a torrential downpour destroys his family’s home, the protagonist stays in the camp for longer to help to rebuild it.

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55

/2/

After the military occupation of Western Sahara in 1976, Moroccan government attacked the civil population with hard repression, forcing hundreds of Saharan people to “disappear” in clandestine jails. An invisible and slow death was the only horizon. However, some prisoners were able to survive after suffering their own “extinction” for more tan 10 years, ripped from their families, suffering torture, in total isolation. When they finally were released, their known world had changed radically.

poster

64

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6.8

/114/

60

/2/

57

/3/

3.5

/223/

Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.

poster

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6.8

/6/

50

/1/

Spanish actor Pepe Viyuela embarks on a personal journey on the trail of his grandfather Gervasio, a soldier in the Republican Army during the Spanish Civil War.

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20

/1/

It describes the way of life of the Sahara people in the Western Sahara Desert, in particular it tells the story of a child bitten by a snake.

poster

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80

/1/

80

/1/

"Legna: speak the Saharawi verse" is an audiovisual poetry story that traces the essential elements of the Saharawi culture, chaining the verses recited in a rigorous and evocative way in Hasania and Spanish by the poets and poetesses themselves. Poems that sing and evoke the essence of Bedouin material culture linked to the movement from Saquia el Hamra to Rio de Oro. A magical journey from the Draa River in the north to Agüenit and Leyuad on the southern border with Mauritania, from the coast with the white beaches of Bojador up to the vague boundaries of the Badia. A Saharawi national territory marked by the trace of the recent history of revolution, war, resistance (intifada) and waiting. Territory, history, culture, basted from poetry full of life, love and nostalgia.

poster

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50

/1/

Budha is one of the many children living in Refugee Camps for Sahrawi. One afternoon, he decides to stop playing football with his friends to play in the desert, far away from the village. Day after day, Budha is increasingly obsessed with the sand, wich hides a little secret.

poster

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6.4

/57/

62

/4/

53

/3/

Fatimetu returns to the Wilaya of Smara for the funeral of her mother, after 16 years living in Spain. There she meets her brother Jatri, who is expecting his first child with Aichetu his wife, and her sister Hayat. Jatri tells her that she has inherited the family Khaimah and must care for her sister. Fatimetu reluctantly accepts the last will of her mother, though she is not sure how to take care of her sister as she can barely take care of herself.

poster

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6.9

/12/

A Crew of Mexican filmmakers decide to cross the world to go in search of a nomad who would guide them in the sea of sand, to find the cave of the djina (a devil) but on the way they find an exiled country, that asks for help them to spread there existence and find a way to prevent that the organizations of United Nations and NGOS do not forget them. It is a history full of magic and feeling, wrapped in the colouring landscapes of the great desert of the Sahara. Among the liberated territories there are 10 million mines, temperatures of up to 60 ° c and little food to testify the wealths of a great people there culture, traditions, tragedy and there similarities with the rest of us.

poster

57

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6.0

/62/

50

/3/

56

/5/

3.2

/287/

Eager to escape a life of confinement in the refugee camps of Western Sahara in Algeria, Mariam flees into the desert to join the army, naively believing herself to be the Joan of Arc who will save her country from occupation.

poster

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8.1

/9/

A revealing story about Saharawi refugees, their identity, and their exile of more than 40 years in the Algerian desert where they have built up a State based on universal health care and education.

poster

67

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7.2

/324/

64

/5/

65

/6/

The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.

poster

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6.7

/17/

70

/1/

60

/1/

The rocky desert in southwestern Algeria is the temporary home of about 150,000 refugees from Western Sahara. Goats grazing or the opening of a beauty salon are among the many scenes of everyday life of people who are eagerly awaiting the beginning of the film festival. The observational documentary captures the unwavering love of film in a place that the world has forgotten.

poster

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6.9

/40/

70

/3/

Forty years after its people were promised freedom by departing Spanish rulers, Western Sahara remains Africa's last colony. This film chronicles the everyday violence experienced by Sahrawis living under Moroccan occupation and voices the aspirations of a desert people for whom the era of colonialist never ended.

poster

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Refugees in Algeria since 1975, the Saharawi have had to forge another life path, fighting to return home. Their children, a generation born in exile to parents born in exile, tell the story and struggle of their people, the Saharawi, through their dreams, hopes, and strength.

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The relevant NGOs and the Spanish film industry have organized the First International Sahara Film Festival, with the official objective of bringing films to refugee camps for the first time for a few days. With a humorous tone and a self-critical intention, the aim is to include a range of shades of gray in a world dominated by black, white, and slogans.

poster

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Habub and Marcos establish a relationship through “video letters” during the wintertime. Through these videos, we see what daily life is like in the Sahrawi refugee camps and, more importantly, how important the friendship between these two kids is.

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The story of a Saharan family as it celebrates a wedding in the Tindouf refugee camp. The wedding is both the reason and the starting point for getting to know the members of this family who have reached a point where they must make important decisions.

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A nine-year old girl, Naha, who in day-to-day life studies primary education en Wilaya de Smara is the point of departure for this documentary. Through the her family life, teachers, those responsible for Sahrawi education and NGOS, we understand the education system in the camps causing us to be in awe of the patience of the Sahrawi people, refugees for 35 years, holding out hope for a definitive solution to the conflict. This documentary intends to introduce the viewer to the situation of the Sahrawi people in the camps through one of the most basic needs for the development of a community: chidren's education. Education in the Sahrawi refugee camps is supported by women being those that develop and strengthen the task of educating in schools.

poster

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25 minutes in the Sahara, is a snapshot of the 34 years of division in which resistance and justice for the Sahrawi community has played out. 1500 seconds of images and voices are heard from exile; voices that are not silent under occupation; that speak as immigrants and that hold their own as an international human platform. 1500 seconds to open and not close your eyes to the reality of these men and women, part of our History. A present of robbed freedoms, properties exploited and forgotten by those who hold the key to the globalisation of toture and repression. A bid, at the end of division, to grant the Right to a Future in the Present, from the West and democratic action in the name of the Sahara.

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A documentary that shows the current state of territorial limbo in which the Sahrawi people live through the gaze of those who arrive and leave, those who resist, of the occupiers and the occupieds; a multifaceted view of what is behind the facts.

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A documentary about the lives of Sahrawi refugees in the Tindouf camps (Algeria). A didactic video for families hosting Sahrawi minors in the Vacations in Peace programme with the objective of them learning and being introduced to the Saharwi culture and customs so that they see what life is like in the camps for these children.

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This is the reality of women of the same nation who live divided by the wall that has separated them for 35 years now. Exiled Sahrawi women who live in the refugee camps in Tindouf (Algeria) have a 88% representation rate in teaching and in healthcare, and 9% in government, evidence that they are the fundamental pillar of society. The ones who remained in the occupied territories of Western Sahara are part of every aspect of the struggle and activism against Moroccan occupation. They protest at the intifadas, they research the plunder of their natural resources, they paint flags, write pamphlets and they belong to the organisations that defend Sahrawi human rights in Western Sahara. These women: former prisoners, formerly missing, activists, today are tortured, harassed, followed, surveilled and violated simply for defending their legitimate right to freely express themselves in favour of Western Sahara’s independence.

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From a chronological perspective, “Saharauis, entre la ocupación y el exilio” (2010) explains the origins and key points of the Western Sahara conflict, especially since Spain handed over the territory to Morocco and Mauritania. Based on the interviews with the main people affected by the conflict, among others, this documentary shows the Sahrawi fight for survival in a society and a culture that have been able to prevail in occupied territory as well as in the refugee camps of Tindouf (Algeria).

poster

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Reality documentary that chronicles the Saharawi refugees living in camps in the Tindouf Hammada, Algeria, Sahara desert. Through an informative overview of the events that led them to this situation and the statements of four of its people we understand their past, we discover their present and get to know their future

poster

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In the refugee camps of Tindouf, for more than 30 years the Sahrawi people is waiting to get the goal that forced them to exile: to return to their land free from any foreign domination. Sukut collects the testimonies of life of elderly Sahrawi with three objectives: to preserve the historical memory of this people, that have basically an oral tradition, show the human aspects of some experiences and data too much objectified, and especially, give the word to those who have been silenced too long ago.

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In the Sahrahwi refugee camp of Dajla, south of Algeria lives Mohamed Brahim Selma, also known as Belgha; Shepherd and poet of the Tiris region who has devoted his life to preserve Sahrahwis culture and identity. In "Nothing Happens" talks about the ancient culture as a precedent; of women as mainstay of life as well of elders as transmitters of knowledge, all, as part of the Saharawi culture.

poster

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Mektub portrays a day in the life in the Sahrawi refugee camps, along with the declarations of some of its protagonists. But behind this seemingly calm life hides a common fight, which is to continue fighting and protesting to accomplish the single common goal that all Sahrawis have as a nation: to take back the occupied land, rebuild their country, and reunite with their families.

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Short film filmed in February 2010 at the Sahrawi refugee camps in Tindouf (Algeria). A poetic look into the situation that refugees go through and into the conflict itself. Soundtrack by Palestinian musicians and Spanish rock band Amaral. “We want words that fly freely, like comets, we want to be the irrepressible wind that comes and goes… And can’t ever be trapped in any sand prison… We want words that fly freely. Invincible. Like comets…”

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Women are the protagonists of this documentary. Girls and women of varied ages tell us the difficulties of living their whole lives in refuge and their desires for the future.

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The documentary tells how 35 years of struggle of Sahrawi people became the starting of the Arab spring. From both side of the wall, Sahrawi tell us the Story of their country, the story of the last colony of Africa.

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The film offers an insight into a nearly forgotten world. The times when the Sahrawi war of independence was on the international agenda seem to be long forgotten. The fate of hundreds of thousands Sahrawis living in refugee camps since the 1970s seems not to be spectacular enough for further attention. Inthe film the women get a chance to speak. It is a film about their experiences and hopes. It is mainly a film about life in surroundings where seemingly normal things are real challenges. The film is a simple and impressive portrait of women, who have been fighting against their fate to help their people. They have never lost their drive, no matter how unfavourable the circumstances have been. It reminds us of the fate of the Sahrawi people. The film is realistic, without any kitsch elements. It shows impressive pictures of the real lives of strong women, who have never stopped fighting for independence.

poster

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Smara is the city of dust, kingdom of sirocco, a surviving ruin of a suffocating region… Thousands of Sahrawis who fled Western Sahara after the war against Morocco (36 years ago) live in this refugee camp, located in the Sahara’s inhospitable north, in the middle of the Algerian hamada. They live here, under poor human conditions, thanks to international help. A small film cooperative fights, with barely any means, to elevate the voices of young Saharawis. It is one of the many Nollywoods (Hollywood of emptiness) found in Africa.

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WESTERN: SAHARA documented the pre-production of an audiovisual participatory project at Saharawi refugee camps in Tindouf, Algeria. From the trailer as part of media coverage, participants imagine a film about the creation of the Saharawi state.

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A documentary about the daily lives, hopes, aspirations and demands of though living in the Sahrawi refugee camps of Dajla.

poster

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This is the story of Buyema Abdelfatan, also known as Castro, an ex Saharan soldier that now a days runs a centre for disabled children in the refugee camp of Smara (Tindouf, Algeria). A personal project that has earned him both praise and criticism, but could not continue without his dedication, perseverance and humanitarian aid that he receives.

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The documentary is about the sahrawi women’s role carries out from all areas in her society and developes within the framework of the refugee camps in Tindouf (Algeria). Sahrawi women who have different jobs tell us through several interviews their vital experiences and share their opinion about the difficult situation that they suffer. In parallel with these interviews the documentary shows us how is a typical day of a sahrawi family in which a girl and her friend live a little story of fantasy.

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This documentary explains the problems of Western Sahara while occupied by Morocco, the territories liberated by the Polisario Front, and the refugee camps in Tindouf (Algeria). 40 years of human rights violations, cultural, human and economic despoliation (fishing, phosphates,...), but also of resistance, fighting back, dignity, solidarity; and most of all, the women’s defining role in the establishment of a forcefully exiled population in one of the most inhospitable places on the planet.

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