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poster
70
62
7.1
/4242/
71
/73/
70
/207/
3.7
/4227/
67
/21/
71
/46/
69
/11/

Good Morning, Night (2003)
The 1978 kidnapping and murder of Aldo Moro, president of the most important political party in Italy at the time, Democrazia Cristiana, as seen from the perspective of one of his assailants -- a conflicted young woman in the ranks of the Red Brigade.
poster
49
5.6
/3195/
52
/46/
49
/57/
2.9
/1056/
29
/7/
28
/20/

Year of the Gun (1991)
American novelist David Raybourne accidentally becomes entangled in the Red Brigade's terrorist plan to kidnap Italian Premier Aldo Moro during a research trip to Rome. As the terrorists attempt to kill David, he and his photojournalist friend must struggle to stay alive.
poster
?
6.9
/26/
100
/1/

Se sarà luce sarà bellissimo - Moro: Un'altra storia (2008)
The film is the result of a planned trilogy about the kidnapping and murder of Aldo Moro by the Red Brigades first announced by director Grimaldi in 2003: shot in the UK on a low budget, the project was never completed because of lack of funding and other issues, and the existing footage from the first two planned installments was condensed into a single movie and released on DVD in 2009.
poster
?
5.8
/53/
60
/1/

Guido, Who Challenged the Red Brigades (2007)
Genoa, Italy, 24th of January 1979. Red Brigades' member Roberto Dura is waiting with two other comrades for trade unionist leader and factory worker Guido Rossa to leave his home to go to work. Three months earlier, Rossa had denounced a work colleague, Francesco Berardi, because he was distributing Red Brigade flyers inside the factory. Berardi was arrested and, after a fast tracked trial, was convicted to four and a half years. ....
poster
?

Despite The Facts
Through the narrative of a fictional political crime during the Years of Lead, Despite the Facts investigates the interplay between fiction and documentary. Structured around a fictionalized interview with a real former member of the Italian extra-parliamentary radical left, the work highlights the subtle boundary between fiction, reality, and a constructivist approach to history. The piece employs both the language of documentary as well as cinematic language, probing how narratives are constructed and showing that the “fact” itself is ultimately inaccessible, existing only as a construction. The project was conceived for both single- and two-channel formats, comprising a single-channel screening version and a two-channel installation version. The project was realised with the support of Injuve (Spanish Government), Community of Madrid, Cripta747 (Turin), and Torino Film Commission.
poster
?

Ossigeno (2012)
N/A


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