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John "Kung Fu" Wang
A short instructional video included in Wholphin Issue Number 5
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Southern Exposure
Three physicists go for a jog in -30 degree weather at the South Pole, naked.
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Alive Right Now, Somewhere (More Mbari Encounters Eight and a Half Empire State Buildings Down)
A look at the life deep, deep under the waves. Included in Wholphin Issue Number 10.
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Ptychogastria, Spatulate: Apprehensions Eight and a Half Empire State Buildings Down (A.K.A. A Deep Metaphor for Something I'd Rather Not Talk About)
A chronicling of staid deep-sea research. Included in Wholphin Issue Number 10.
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Melbourne Years (2009)
An animated director's statement. Included in Wholphin Issue Number 9
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The Creature Within (2009)
A portrait of Maurice Sendak's self-doubts. Included in Wholphin Issue Number 9
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Maurice at the World's Fair (2010)
A humorous take on a story from author/illustrator, Maurice Sendak's childhood, produced with love by Spike Jonze, with Catherine Keener and friends for Maurice Sendak on his 80th birthday.
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The Man in the Grey Suit
An excerpt from a nature documentary included in Wholphin Issue Number 6
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One Day with the S.L.A.
A documentary included in Wholphin Issue Number 5
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Monument Valley Flight Attempt
An art film included in Wholphin Issue Number 5.
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Shot Through
How do we react when a gun is fired? Even if it is only aimed at something that is supposedly lifeless? Tom Dale raises these questions in his work Shot Through. The video begins with a drum set standing in a forest. A shot is heard. And a second. Many others follow. The editing accelerates the destruction of the drums. Through the alternating shots, the viewer witnesses the various facets of the carnage – the explosion of the wood or the denting of metal – and the issue of materiality is shifted into focus. After the hail of bullets has ceased, closeups are shown of the drum, which has been shot to pieces. Comparisons to a gutted corpse are deliberate, and the drums transformed from a thing into animal-like creatures. The forest setting is reminiscent of a hunting scene, although it is alienated from the ethics of hunting and instead portrays the execution of the objects.


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