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8.3
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Comparsa (2025)
From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.
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10
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Nam June Paik (1962)
Short film about performance, realized when Nam June Paik participated in Karlheinz Stockhausen's piece "Originale" in Cologne in 1961.
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A clown serving his country (2025)
A clown is confronted with the reality and difficulties of being a street artist in the digital age. In his search for online fame he makes a discovery that radically shifts his perspective about meaningful work and life, forcing him to change his ways.
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Também se chamavam Sonhos (2025)
A documentary from Recife that follows the story of five friends, transforming memories into an audiovisual time capsule. Created as a graduation project in Design by Carlos Pontes (UFPE), the film unfolds as a collective letter seeking to eternalize not only memories, but also the intensity and restlessness of those who find in art, friendship, and acceptance a way of existing.
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Unfurl (2023)
Unfurl is a minimalist short film composed of six contemplative shots featuring different colored plastic bags placed before a dual-camera setup, presented in split-screen from two contrasting angles. Each sequence begins with Devereaux's hand compressing a bag, then releasing it — allowing the material to slowly expand. The initial release is rapid, but the motion soon settles into a meditative, near-slow-motion unfurling, drawing attention to the subtle behavior of shape, light, and texture. Inspired by a live performance Devereaux witnessed of avant-garde composer Takehisa Kosugi — specifically his act of wrapping a microphone in paper during a performance at the Getty Center's Rajikaru! conference — the film channels a similar spirit of experimental material interaction, silence, and focused perception. Unfurl invites viewers to observe slowness and transformation as a form of quiet performance.
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Before The Spotlight (2025)
Behind every electrifying performance lies a story of sacrifice and passion. Before the Spotlight journeys behind the scenes of the dynamic Dauntless Movement Crew, diving into the lives of three of its standout members, Sienna, Chris and Manu. In a tough industry defined by fierce competition, fleeting opportunities and constant audition cycles, these performers are faced with uncertainty. To challenge them further, the risk of financial instability is significant in a high demanding economy. Yet, their passion grows stronger, fuelled by the support from the community. But what makes the risk worth it?
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The Show Man (2025)
Stranded en route to a film festival, cynical Junior and the inscrutable Senior encounter the Stranger spinning a dramatic tale of woe. While Junior sees an obvious con, Senior sees the veil and its beauty. "The Show Man" delves into the ambiguous lines between performance, reality, and perception in the most unexpected of scenery, unravelling between highly conflicted characters.
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Free paths maker (2019)
This documentary deals with the great injustice and pain caused by anti-personnel mines and demands the urgent need for all the countries involved to sign the demining protocols. The short begins with a 24-hour isolation carried out by the author in a hole/crater in the middle of the desert to empathy with the Saharawi people, from there progressively through their commitment and coexisting for getting close to the reality of the victims of antipersonnel mines and their everyday live. Denunciations and wishes of this people who have suffered a hard exile are verbalized. In parallel, the author is interviewing, listening, sharing and designing an ingenuity that he is building to exploit the mines. The melphas (costume of the Sahrawi woman) make up the sail that moves the wheels that trace with phosphate powder the path with the word FREE and end up exploiting the mine, to show the inhuman damage it cause. A call for peoples to sign demining protocols urgently.
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Shakuntala DuBois (2012)
The Broke People's Baroque Peoples' Theater engages questions of economic inequity, artistic patronage, and a culture of excess (or excess of culture). It is: obsessed with classical allusion, doomed to camp, adorned in costume, engaged in masquerade and surrounded by sculpture. With a queer attitude toward cheap materials, the Broke People's Baroque People's Theater decorates itself in a hyper-feminine aestheticism to undermine class(y) distinctions of taste. A wealth of poverty, the chintzy is rich.
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Roots (2023)
Liliya Syvytska's very personal film exploring the painful challenges of temporarily displaced Ukrainians in foreign lands.
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Pianowork 2 (2023)
Pianowork 2 is an animated recording of me playing Jürg Frey’s ‘Klavierstück 2’ at Mimic Productions in Berlin on 22 June 2023. It was a very hot, early summer’s day. Mimic created a ‘digital double’ of me, scanning my head and hands. It was the first time I’d used a computer-generated figure with my own likeness. I played the piece at an upright piano, wearing a sensor-filled Lycra onesie with a head-mounted rig holding an iPhone a short distance from my face. I tried very hard to do what Frey’s score asks. I counted the beats in the vast rests, the 468 instances of the same fourth, the precisely instructed micro-shifts of tempo. I worried about and tried to depress the keys with the correct pianissimo dynamic to follow the previous decayed chord played 40 seconds prior. This agonising pace makes for a terrific mounting of anxiety.


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