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poster

84

7.7

/7148/

72

/228/

75

/140/

4.0

/5257/

100

/78/

81

/72/

90

/20/

4.0

The trial story of Viviane Amsalem's five year fight to obtain her divorce in front of the only legal authority competent for divorce cases in Israel, the Rabbinical Court.

poster

70

46

6.6

/279/

63

/10/

67

/9/

3.2

/1771/

94

/17/

69

/6/

Rami deals with his Jewish girlfriend’s opposition to abortion. His mother complicates things while seeking compensation for her daughter Fifi accident. Miri plans to terminate her sister’s pregnancy with Rami, who’s Arab. Fifi struggles to hide her non-virginity to save her family’s reputation.

poster

73

17

7.4

/872/

70

/33/

61

/16/

3.6

/544/

92

/2/

Beitar Jerusalem FC is the most popular team in Israel and the only club in the Premier League never to sign an Arab player. Midway through a season the club's owner, Russian-Israeli oligarch Arcadi Gaydamak, brought in two Muslim players from Chechnya in a secretive transfer deal that triggered the most racist campaign in Israeli sport and sent the club spiralling out of control.

poster

?

8.8

/7/

This sociological journey back in time began over twenty years ago when several families were evicted from their homes. They got together and squatted in an abandoned building in Jaffa for two years. The children of all ages who lived there grew up around violence, poverty, and drugs-but also solidarity. They saw the power of people fighting the establishment for their right to a home. They became documentary subjects for the first time in 1999, in Yael Kipper and Einat Fishbein's film The Two Yossi (screened at the very first Docaviv Festival). Now, their journey continues: what has become of them? What chances does a poverty-stricken child have to make it in the world?

poster

?

7.8

/39/

A documentary on Israel's disengagement from Gaza from the point of view of several Israeli Army officers and members of the police border unit.

poster

?

6.8

/14/

The Disappeared follows the story of an action-feature film produced by the Israeli Army in 2000 and then censored just a few weeks before its release. Titled Hane’elam (The Disappeared) in Hebrew, the original film was intended to address a contentious subject in Israeli society and one of the military’s absolute taboos – the rising number of soldier suicides. The ambitious production was of a scope rarely seen in the local film industry at the time and included hundreds of soldier-extras, an entire armored brigade, military helicopters, and special operations personnel. With a lavish budget and a cast of leading Israeli actors, shooting commenced in multiple locations around the country, among them also a top-secret missile base. Soon after editing began and preparations for its commercial, nation-wide distribution were underway, The Disappeared disappeared.

poster

?

85

/2/

70

/1/

Death is a disease, growing from the inside beneath the Shell. Cursed blessings trickling down tubes, pushing hope through weak veins. Waiting for blissful Heaven to return. Heaven is Hell.

poster

?

6.8

/32/

N/A

poster

?

10

/1/

Air France airline presents popular tourist destinations in Israel in 1951.

poster

?

6.7

/31/

The film chronicles 2 years in the life of Amos Oz as he meets readers in Israel and around the world, working to promote the Two-State Solution to the Israeli-Palestinian Conflict.

poster

?

8.2

/5/

November 4th, 1995. Inbar and Sveta, two teenage girls night out on the town, Inbar looking to smoke her first joint, Sveta cannot wait to lose her virginity. During the night, Sveta will meet some guys, Inbar will inhale and Prime Minister Rabin will be shot.

poster

?

7.4

/13/

90

/1/

Summer 2011. Daphni Leef, a young video editor, pitches a tent in Tel Aviv’s famous Rothschild Boulevard as a protest against the exorbitant cost of living in the city. Within days, thousands of people across the country follow suit, and create a national movement spearheaded by the charismatic and articulate Leef. Six years later, Leef revisits the events of that summer, which, though they did not bring about a significant change in policy, had a momentous impact on public awareness in Israel, and on her private life. As Israel finds itself once again in turmoil, Before My Feet Touch the Ground is a reminder of the power of hope and solidarity.

poster

?

7.0

/12/

60

/1/

Jenny & Jenny meet every day. Jenny & Jenny talk every day. They write to each other. They both have a broken heart and joy. They are cousins. They are 17. They live in Bat-Yam.The movie follows one summer in the life of Jenny & Jenny.

poster

?

7.6

/35/

The story of Israel's "development towns" in a chilling documentary, as never told before: Testimonials and previously sealed transcripts reveal a method, an ideology and a cruel practice of law enforcement and decision makers behind the "population dispersal" policies in the first two decades of independence. The director's family, like others, was taken to Yeruham, a development town in the Negev desert. Their personal stories recount of the price immigrant-families pay and the price still paid by Israeli society, unwilling to deal head-on with those early years and forgotten towns.

poster

?

8.2

/30/

72

/4/

N/A

poster

?

6.7

/54/

76

/3/

80

/1/

When thirteen year old Aharon,is selected for the great honor of carrying the big Torah book around the neighborhood in 'Simchat Torah' celebrations, he feels life is finally about to change for the better. But his selection causes age-old tensions between his parents to surface, and the symbolic happy ritual becomes a life-threatening struggle.

poster

?

20

/1/

In the 1970s, a new protest movement burst into Israeli politics. Calling themselves the Black Panthers, this group of rebellious young Mizrahi men was intensely critical of racism and class bias within the Israeli establishment.

poster

?

6.7

/14/

10

/2/

The film follows the less-known aspects of the lives of four “web stars” – Israeli YouTubers: Moti Taka, one of the busiest singers in Israel today, who visits Ethiopia for the first time with his mother Dalia. Suzi Boum, aka Lior Israelov, a successful, well-known drag queen, who was born and raised in a religious family in southern Tel Aviv. Chen Halfon, a 25-year old mother of three, who is one of the few orthodox YouTubers in Israel. Hannah Ziad, an Arab YouTuber with about half a million followers, who reveals a complex family story about her father’s death.

poster

?

6.9

/51/

10

/2/

65

/3/

In the 1950's, Jews coming from North Africa and the Middle East settled in the newly constituted State of Israël. The Mizrahim, as their are called, were denied their right to a better life and forced to move to development towns in the Negev Desert. Today, the new generations of Mizrahim still suffer from this policy conducted 70 years ago. Michale Boganim follows the footsteps of her father, who came from Morocco and quickly became a leader of the local Israeli Black Panthers to stand against this discrimination. She embarks on a road trip through Israël's history to meet with three generation of Mizrahims.

poster

?

7.3

/25/

'You lack inner peace, I can see it in your eyes...' With this abrupt remark thrown at her by a woman visiting Jerusalem's Wailing Wall, filmmaker Moran Ifergan is reminded of the religion she left in her late teens, when she used to frequent this holy site. While her marriage falls apart, Moran takes us on an around-the-clock journey to the women's side of the Wall; mixing between private and public, sound and image, God and His absence.

poster

?

7.9

/23/

"Matzpen," the Israeli socialist organization, has never had more than a few dozen active members. Still, at the end of the sixties and beginning of the seventies, it was considered a real threat to the Israeli political and social consensus. Most of Matzpen's members were Israeli born, coming from the deep core of Israeli society. Their fight against Zionism and against the occupation, as well as their contacts with Palestinian and European left-wing activists, were the cause of threats, slander, as well as political and social isolation. The film touches on the main issues of the Zionist-Palestinian struggle, through the eyes of some of the organization's prominent figures, their ideas, opinions and activities, then and today.

poster

?

7.9

/57/

80

/2/

56

/3/

So many Israelis still wax nostalgic about that old Friday afternoon ritual, back in the times when television had just one channel. Everyone would watch the Arab movie of the week, but did anybody ever wonder how Israel’s official TV station was able to transcend hostile boundaries to obtain these films, and why it insisted on showing movies made by “the enemy”? The Arabic-language movie from Egypt let some of us escape back to our original homeland, and let others peek out from our “villa in the jungle” and catch a glimpse of our neighbors across the border. But most of us didn’t really want to see the people whose culture, anguish, and aspirations were reflected on our screens. “Arab Movie” brings us the stars and the songs, the convoluted plots, and that fleeting moment when we shared the same cultural heroes as everyone else in the Middle East. But this film about the richness and intensity of Egyptian cinema also raises some disturbing questions.

poster

?

5.9

/24/

For centuries, Hebrew was a sacred language, a written language of prayer and scripture. But today it is also the language of everyday life in Israel. Nurith Aviv, Israeli writers, musicians, actors and a Rabbi/philosopher from varying countries and ethnic backgrounds discuss the relationship between their mother tongues and Hebrew. Featuring: Aharon Appelfeld, acclaimed for his literary explorations of the Holocaust; actress Jenya (Evgenya) Dodina; Rabbi and philosopher Daniel Epstein; poet Salma-n Musa-lahah; poet and translator Agi Mishol; singer Amal Murkus; poet and Professor of Jewish Thought Haviva Pedaya; and Meir Wieseltier, a member of the early Sixties "Tel Aviv Poets" group.

poster

?

20

/1/

80

/1/

N/A

poster

?

8.0

/23/

80

/1/

37

/4/

The film tells the stories of LGBT men and women who, for religious reasons, decided to marry against their own sexual orientation, to comply with Torah laws and be accepted into their families and religious communities. Some shared their secret with their partners, some kept it hidden, and some lied even to themselves. After their divorces, they confront the conflicts they repressed: their faith and religious laws; children, family and community; exposure to society and search for a partner.

poster

?

8.6

/9/

N/A

poster

?

7.3

/71/

75

/2/

82

/2/

This is the story of three sensitive teens who are forced to deal with violence at home, violence at school. It is a story of friendship, of love and hate, where the adolescents world is revealed as cruel and beautiful, a world where the desire to die or kill and the will to live are very confused but finally define the fate of the three heroes.

poster

?

7.2

/39/

50

/1/

90

/1/

Here and Now is an authentic social drama told through the eyes of Andrey, a young immigrant living with her little sister in the slums of the city of Ashdod and struggling to assimilate into Israeli society.

poster

?

7.6

/22/

This resonant documentary chronicles a year in the lives of two ever-squabbling Israeli brothers -- junkyard owners Hula and Natan -- as they face not only frequent missile attacks from the Gaza Strip but government threats to their property.

poster

?

6.5

/28/

58

/5/

Newly discharged from the Israeli Army, Ra'ed, a Bedouin from an unrecognized village in the Negev desert, is determined to save his family's failing herd of sheep, about to be sold. He plans to live off the herd by starting a roadside Bedouin hospitality restaurant.

poster

?

6.3

/26/

90

/1/

90

/1/

A film teacher has to teach in Sderot and change the lives of his students.

poster

?

The city of Lydda is known today as the center of drug dealing in Israel.

poster

?

The Seventh Million is a thought-provoking documentary series. It is based on a book by Israeli historian Tom Segev. The film, directed by Benny Brunner and written by Segev, examines some of the most sensitive and previously undisclosed chapters of Israeli history. It explores the Zionist leadership’s ambiguous response to the Holocaust as it was occurring and the challenges that the new state of Israel faced in dealing with the trauma of the Holocaust. The film also portrays the often-negative reception of Holocaust survivors in pre-Israel Palestine and in the new state of Israel, where they were frequently ignored or scorned by a society focused on heroism and the creation of a “new man.”

poster

?

Uri Rosenwalks and Eyal Blachson's film offers an immersive, cinematic view on Lod's inflamed state, and uncovers the nuances in the strained relations between Jews and Palestinians. From the forefront of gang wars to religious and national confrontations, but also to the courageous men and women who have not yet abandoned their beloved, cursed city. Narrated with the fervour of a thriller, and two protagonists who could not have been written any better had they been made up.

poster

?

A documentary set in Jerusalem's Hadassah Hospital. In this hospital the staff treats the victims as well as the offenders of the numerous attacks in Israel's capital. The doctors make no distinction between their patients but for the patients it can be hard to accept that victims as well as terrorists are treated the same way.

poster

?

Nadia and Chanoch have shared the same desk in their class in the Kfar Haroeh elementary school. In the course of their eight years together Chanoch was never conscious of the difference between them - Chanoch, a religious Jew, born and raised in Kfar Haroeh - the "jewel" of the religious Zionist movement - and Nadia - an Arab Muslim, born to the Abu - Isa family who lived (and still live) near the Kfar Haroeh village. Nadia's Friends is a film about a journey to the past, to what was once the religious Zionism and to what it is today, to old friends and to the rift that grew between them over the years.

poster

?

This is the story of three Bedouin women, struggling within a polygamous system. Living in the Negev desert in Israel, the story is told through the eyes of a wedding photographer, Mariam Al-Quader. She herself is living under constant fear that her husband will marry "over her" (the expression used when a man chooses an additional wife). The other two women are pushed into marrying already married men, and become "second wives", forced to cooperate within a structure they despise or are afraid of.

poster

?

The authors of the film violated the boundaries of what was permitted by choosing a deliberately provocative topic for their work: tense interethnic relations within the framework of one single family, where a native of the former Soviet Union and an Ethiopian girl were preparing for the wedding. The question is legitimate whether the son-director had the right to bring rubbish from the hut to a wide public court. These are the most intimate details of the relationship with your own mother, is one of our fundamental commandments about respect for parents violated here?

poster

?

We Own the Streets follows eight graffiti artists who come from different social backgrounds in Israel.

poster

?

8.4

/25/

A picturesque fishermen village overlooking the Mediterranean, Paradise is a Palestinian enclave inside the state of Israel, with a history that ecoes stories of a massacre and deportation. When the director investigates the secret past of her village Paradise, she uncovers more than she expected. Before she knows it, she is warned by her mother: "don't be like Sou'ad" - referring to the sad story about a rebellious "bad girl" whose story became a myth in the village. Accused and imprisoned as a PLO activist back in the 70's, Sou'ad is more than just a role model for the young director. But when she deepening her research, her trouble really begins. A filmic-diary about recreating a lost history, and about re-defining modern womanhood within the traditional village life.

poster

?

One street in southern Tel Aviv - doomed to be a home for refugees ever since it was planned - brings forth a mosaic of characters living in a hallucinatory reality of a cityscape that has its charms, but is not always kind and merciful.

poster

?

Gadi Abaje is a 23-year-old Ethiopian Jew who lives in the Tel Aviv's Central Bus Station. His mother was forced to stay in Ethiopia. The film follows Gadi as he returns to Ethiopia for an emotional encounter with his mother.

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