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poster

75

7.0

/35151/

73

/876/

69

/713/

3.7

/83531/

87

/39/

80

/1547/

75

/16/

age 9+

A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.

poster

74

6.4

/5989/

68

/378/

67

/78/

3.1

/13630/

84

/147/

80

/184/

70

/35/

4.0

age 14+

New York City writer Iris finds her comfortable, solitary life thrown into disarray after her closest friend and mentor bequeaths her a Great Dane named Apollo. The huge dog immediately creates practical problems for Iris, from furniture destruction to eviction notices, as well as more existential ones. Yet as Iris finds herself unexpectedly bonding with Apollo, she begins to come to terms with her past, and her own creative inner life.

poster

68

37

7.0

/1929/

63

/13/

68

/21/

3.3

/777/

80

/5/

65

/17/

Sisters Ruth and Eileen Sherwood move from Ohio to New York in the hopes of building their careers. Ruth wants to get a job as a writer, while Eileen hopes to succeed on the stage. The two end up living in a dismal basement apartment in Greenwich Village, where a parade of odd characters are constantly breezing in and out. The women also meet up with magazine editor Bob Baker, who takes a personal interest in helping both with their career plans.

poster

64

35

7.0

/1226/

61

/17/

55

/20/

3.2

/1258/

71

/441/

A high-spirited and short-tempered Texan woman storms her way through life until her luck runs out, forcing her to learn the error of her ways.

poster

46

?

5.8

/297/

40

/3/

43

/3/

Opera singer Ina Massine tries to win back former husband Dr. Lincoln I. Bartlett.

?

This experimental film, a self-described mix of reality and fiction shot in Greenwich Village and a Vermont commune, captures past and present moments from the life of Mel Howard, the film’s co-writer & co-narrator. Scenes chronicling Howard’s doomed romance with Scandinavian girl friend Turid Aarsted are interwoven with scenes detailing Howard’s relationship with his parents and with a former girl friend, as well as his failed attempts at moviemaking. One sequence depicts Aarsted leaving the thirty-seven-year-old Howard for the film’s cameraman, Paul Goldsmith, and includes a sex scene between the new lovers. In off-screen commentary, producer Kenneth E. Schwartz expresses concern about the film’s content. He reveals that he raised $50,000 for the project, complains to the viewer that the film was not supposed to be a “diary of freaky people.” Eventually he and Howard come to terms about the film’s direction and allow the film’s story to unfold unobstructed.

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