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poster
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80
/1/

Excalibur : Le concert mythique (1999)
N/A
poster
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7.3
/16/
60
/1/
60
/1/

NYC Foetus (2009)
A documentary about composer/producer/performer JG Thirlwell and his musical alter-egos, including Foetus, Steroid Maximus and Manorexia. Featuring interviews with Thirlwell, Matt Johnson (The The), Alex Hacke (Neubauten), Michael Gira (Swans), Richard Kern, Lydia Lunch and more.
poster
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75
/2/
60
/1/

-M- Symphonic (2021)
N/A
poster
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80
/3/

Accept: Symphonic Terror (Live At Wacken 2017) (2018)
A unique, 2 hour Accept show, shot on August 3rd, 2017 at the legendary W:O:A, where the band played the biggest and most extraordinary show of their career in front of 80.000 live fans at the festival, on top of thousands more fans watching via the live stream.
poster
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87
/3/

Quincy Jones: A Musical Celebration in Paris (2019)
Quincy Jones, accompanied by a symphony orchestra conducted by Jules Buckley, brings together nearly 100 musicians and special guests to celebrate his 70-year career.
poster
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82
/4/

Vanessa Paradis - Love Songs (2015)
N/A
poster
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Ruel - Live at Red Bull Symphonic Orchestra Show (2025)
Experience Ruel’s biggest hits like never before, reimagined with Ensemble Apex, a collective of Australia’s most prestigious players, known for redefining the orchestral experience for a new generation.
poster
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Attenuation (2025)
A stubborn VCR technician quits his job at an evolving tech-solutions conglomerate to start his own small business in hopes of making a final stand to stay relevant through the changing times.
poster
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Z mrtvého domu/Glagolská mše (2023)
Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian prison in the company of misfits, murderers and theives, Dostoevsky was inspired to write his novel Notes from a Dead House, telling his brother at the time: ‘Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior.’ In Janáček’s hands, Dostoevsky’s inspiration and the raw material drawn from an appalling world of incarceration find an even more powerful form of expression in his last opera, From the House of the Dead. Unfettered by conventional story-telling, Janáček wrote his own libretto, freely weaving together a series of stories of everyday prison life and of the fates of individual convicts.


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