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poster
79
65
7.4
/1883/
69
/35/
75
/11/
3.8
/21780/
100
/62/
85
/20/

Pillion (2025)
A timid man is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
poster
Fandango at Home Free
47
11
3.1
/348/
57
/34/
65
/9/
37
/16/

Kinky (2018)
A talented African-American surgeon enters into a torrid relationship with a wealthy entrepreneur.
poster
?
6.0
/10/
20
/2/
20
/1/

Rope and Boys 2: Boy Hell's Messenger (1988)
A magazine reporter is told to investigate the murder of a young man with ties to the gay S&M scene.
poster
?
5.1
/19/
10
/1/
20
/1/

Twisted Sex (1971)
A look at sex in Japan, that covers underground gay life, transvestites, sex change operations, tattoos, and S&M.
poster
?
5.4
/33/
10
/2/
30
/2/

Rope and Boys (1988)
Yuji is an university student living with his older brother. When he runs into an old acquaintance on the street, the two begin an affair and Yuji ends up getting drawn into the world of S&M clubs, where men put up elaborate and decadent shows for their customers.
poster
?
5.2
/71/
10
/1/
20
/3/

Remembrance of Things Fast: True Stories Visual Lies (1994)
Remembrance of Things Fast represents the culmination of Maybury's work in video, which has developed alongside the technology itself. Starring Tilda Swinton and Rupert Everett in lead roles, the tape confronts the conventions of world television and satellite broadcast, drawing on the fragmentary nature of the medium and the cliches of the three minute attention span. At the same time, it replaces bland mainstream images with darker, more satirical observations and studies. The environment is surreal, a virtual reality television land of landscapes and imaginary cities, enhanced by Marvin Black's dark, dense soundtrack. It is a cyberspace where the impossible is all too possible. Within this parallel world, a series of archetypes act, observe and comment, informed by a strong sexual sensibility. '..a mesmerising, sometimes hysterically funny, cinematic bricolage with a strong sexual and mostly gay sensibility'. - Cordelia Swann


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