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poster

75

6.8

/67801/

69

/1504/

70

/1206/

3.9

/159240/

72

/117/

75

/4266/

73

/25/

4.0

age 17+

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

poster

68

?

7.1

/163/

40

/3/

61

/4/

100

/8/

The story of the person who became the captive of surrealistic madness.

poster

?

5.6

/17/

Documentary on the making of "Messiah of Evil," the surreal horror cult classic written by Willard Huyck and Gloria Katz, directed by Willard Huyck. Includes interviews with Huyck and Katz as well as cinematographer Stephen M. Katz, editor Billy Weber, co-editor and actor Morgan Fisher.

poster

?

An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". This episode considers the politics implicit in Public Enemy’s claim that we’re already living [in] armaged-don. It begins with the discovery of an ancient stone crosshairs at an archeological site in Egypt. Sixty years later a giant alien mothership emerges from a mena-cing cloud over New York City, hijacking President Ron-ald Reagan’s TV statement in order to transmit a pirate broadcast from Chuck D, Flavor Flav and Sun Ra. Like Sun Ra’s mantra that ‘it’s after the end of the world’, Public Enemy invoke armageddon to insist upon the critical moment in which we already live.

poster

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An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". We are the Robots re-imagines the iconic scene in the film Close Encounters of the Third Kind (1977), where sci-entists use a synthesizer keyboard to communicate with an alien mothership. In Soda_Jerk’s revision of these events, Kraftwerk play sequences from their own music and the mothership responds with frag-ments of tracks that have sampled Kraftwerk. This jam session– between the original and sampled ver-sions of Kraftwerk’s music–explores the impact of German electronic music on Afrofuturist sonic culture.

poster

?

An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". Destination Planet Rock maps the intergalactic legacy of Sun Ra and George Clinton in the sci-fi futurism of early hip-hop. Set in 1974 in the South Bronx, the episode be-gins in a neighborhood center where Sun Ra is explain-ing his ideas about the intersection of race, myth and outer space. The three future originators of hip-hop—DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash—are abducted and transported across the galaxy to Planet Rock, where they are schooled in the alien language of turntablism.

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