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Black Art, Black Artists (1971)
Tracing the under documented history of art made by black artists since the 19th Century, this essay film explores the demands and criteria imposed on artists to confirm to established tastes and histories. Featuring artist Van Slater, the film was made by the highly influential theorist Elyseo J. Taylor, one of the first black teachers at UCLA who helped to politicise the department, bringing in Third World Cinema programme and helped to open up the school to a more diverse student body.
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Empathy for Concrete Things (2023)
Based on their experiences living and working amongst Soviet-era concrete, panel-block apartments, the filmmaker, together with five visual artists, examine past and present attitudes towards their former homes. Combining touching, personal stories with experimental research on the history of twentieth-century art and architecture, the film creates both a compelling narrative, and a contemporary aesthetic of panel-block mass housing using original watercolors, put into motion using digital animation and stop-motion techniques. As global and personal histories interweave, the film explores notions of moral and political responsibility as evinced in physical space.


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