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poster
?
6.8
/30/

Behind The Blue (2011)
How does art come about, and how do we perceive of it? This film takes us to studios, galleries and bars. An amusing study on art - and how one lives with it.
poster
?
10
/1/

Anthropometries of the Blue Period and Fire Paintings (1960)
In the performance piece, Zone de Sensibilité Picturale Immatérielle (Zones of Immaterial Pictorial Sensibility) 1959-62, he offered empty spaces in the city in exchange for gold. He wanted his buyers to experience The Void by selling them empty space. In his view this experience could only be paid for in the purest material: gold. In exchange, he gave a certificate of ownership to the buyer. As the second part of the piece, performed on the Seine with an Art critic in attendance, if the buyer agreed to set fire to the certificate, Klein would throw half the gold into the river, in order to restore the "natural order" that he had unbalanced by selling the empty space (that was now not "empty" anymore). He used the other half of the gold to create a series of gold-leafed works, which, along with a series of pink monochromes, began to augment his blue monochromes toward the end of his life.
poster
?
8.6
/10/
20
/1/

Delphine Seyrig, portrait d'une comète (2000)
Delphine Seyrig, an extraordinary woman and actress, died on October 15, 1990. From "Last Year at Marienbad" by Alain Resnais to "India Song" by Marguerite Duras, she played in 34 films for cinema, 13 films for television and 33 plays. Jacqueline Veuve, filmmaker and friend of Delphine Seyrig, wanted to break the silence that has fallen on her memory by making a documentary that traces with emotion and subjectivity the life of the mythical actress, the fierce feminist but also the simple friend.
poster
53
?
6.4
/371/
50
/5/
51
/4/

Loose in London (1953)
The Bowery Boys take on British crooks when one of them thinks he's inherited a title.
poster
?
8.2
/14/

Yves Klein: The Blue Revolution (2007)
Director Francois Levy-Kuentz's film uses previously unreleased archival material, such as Klein's personal films, to capture the artist's astonishing career, from its beginning in 1954 to his death in 1962. In those eight short years, Klein turned the modern art world upside down.
poster
?
7.4
/44/
10
/1/
63
/3/

Écrire (1994)
When Duras saw 'La mort du jeune aviateur anglais', she told Benoît Jacquot that the film was about him, not her. "She treated me like a thief. So I offered to make another film, where she could say whatever she wanted about her life as a writer. That’s how we did Écrire. I brought the same film crew. We went to her house at Neauphle-le-Château and we set up in the room she called 'the music room,' where there was a piano and you could listen to records. She settled in and for two days of non-stop filming, she talked."
poster
?

Stunde Null: Die Kunstbewegung ZERO (2014)
A documentary about art movement ZERO.


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