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poster

72

34

7.1

/992/

68

/17/

65

/25/

4.0

/5259/

78

/9/

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

poster

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20

/1/

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

poster

?

5.4

/9/

Wife, Mother, Arab, British, Muslim...Esther is on a mission to show you what life is like when you can't meet the expectations of your identity. From battling ridiculous comments online to facing head-on confrontations in person, in this assured and witty debut Esther asks what happens if you decide to reject the role of the Crusader.

poster

25

?

3.1

/163/

27

/9/

18

/5/

A romantic couple run from the law after accidentally killing one of their friends. They encounter every imaginable monster that has appeared in horror movies in a modern day version of Dante's Inferno. Will the trials that befall them strengthen them and reveal sublime virtues, or will the duo fall prey to the darker side of the mind?

poster

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Light Upon Light: A Documentary on Hijab is an intimate and deeply personal exploration of the diverse, raw, and untold stories of hijabi women. Through open and vulnerable conversations with 7 women, the film dismantles stereotypes, highlights the challenges imposed by society, and celebrates the profound beauty of the hijab beyond a mere clothing choice. It captures the individuality of each woman’s story—how they came to wear the hijab, the struggles they’ve faced, and the strength they’ve found in it. More than just fabric, the hijab is a journey, often misunderstood, and influenced by the way the world perceives it. By amplifying voices that are often unheard, the documentary creates a space for empathy, challenges misconceptions, and invites a deeper understanding of what it truly means to wear the hijab; inspiring everyone to see hijab in a new light.

poster

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Im Hussein and Im Elias decide to start an organization for young Arab Americans with the goal of projecting a positive image of Arabs. Their well-intentioned efforts lead to humorous situations, reflecting on cultural identity and community dynamics.

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On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.

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