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poster
Amazon Prime Video
78
38
7.6
/403/
71
/8/
75
/6/
3.8
/755/
100
/22/
73
/9/

This Is Not a Movie: Robert Fisk and the Politics of Truth (2019)
For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.
poster
72
?
7.1
/107/
77
/8/
69
/7/

Auschwitz - One Day (2020)
Today, the word "Auschwitz" is a synonym for the Holocaust. Thousands of Jews died there every day. With the help of some acted scenes, photos and graphics, the film tells of a day in May 1944. The starting point is a unique document: a photo album created by the SS perpetrators themselves. Almost all of the photos were taken at the end of May 1944, in just a few days. They show the cruel routine, the arrival of the victims, their "selection" on the ramp, the robbery of their property and the transformation of all those who were not immediately killed, into shaved, uniformed slaves. One survivor is Irina Weiss. On a photo she recognizes her little brothers and her mother - waiting unsuspectingly near the crematorium. The SS photographers captured all of this. Their identity is known today: one of them was Bernhard Walter, a "Stabsscharführer" who lived with his wife and three children near the extermination camp.
poster
57
?
6.2
/239/
59
/16/
52
/10/

The Truth on the Savolta Affair (1980)
Barcelona between 1917 and 1923. Is the era of gangsterism, during which gunmen clash between anarchists and thugs paid by The Patronal showed a shocking number of deaths. The confrontation between anarchists and workers of the factory owners Savolta arms worsens when Savolta family decides to end the rebellion hiring murderers hired and plotting to hide their illegal transactions with Germany. Adapted from the novel by Eduardo Mendoza.


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