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poster
72
43
7.2
/703/
64
/23/
67
/24/
3.7
/2061/
82
/335/

The Society of the Spectacle (1974)
Guy Debord's analysis of a consumer society.
poster
Kanopy
71
27
7.0
/312/
71
/12/
70
/6/
3.5
/887/
76
/138/

Can Dialectics Break Bricks? (1973)
A Hong Kong martial arts movie redubbed by situationist René Viénet. The narrative focuses on a conflict between proletarians and bureaucrats within state capitalism. The proletarians enlist their grasp of dialectics in the fight against their oppressors, while the bureaucrats defend themselves using a combination of co-optation and violence.
poster
?
7.5
/9/

Sarasota Half in Dream (2017)
An experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic histories. The filmmakers shot their explorations into the abandoned golf courses, factories, and resorts of Sarasota, Florida and spoke to local youths who are using them for new and strange purposes. What would the Surrealists and Situationists think of a suburban, subtropical tourist town? What goes on in a storage unit in the dead of night? What is the afterlife of a decommissioned train car? What ghosts haunt a ruined hotel? What is the life cycle of a city? When will waters wash it all away?
poster
?
6.6
/21/
100
/1/
55
/2/

Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante (1977)
Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"


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