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poster

61

19

6.4

/458/

54

/21/

58

/29/

3.5

/440/

‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.

poster

?

70

/1/

The journey of two storks on an ordinary workday reveals the urgent crisis in maternal health care in the United States. One stork has a relatively safe trip to deliver her baby, while the other faces significant dangers, risking her life; each obstacle serves as a metaphor for various forms of violence or obstetric complications. Throughout her journey, the protagonist visually deconstructs herself, just as she does the idealization of motherhood. A layer of reality begins to take over the screen through experimental manual painting. Upon reaching the maternity ward, the stark difference between the two storks becomes clear: the one who barely survived is the one delivering a Black baby.

poster

?

35

/2/

70

/1/

N/A

poster

?

7.3

/54/

45

/2/

40

/1/

Where Disney's version marginalized the darker elements of the novel, Gianluigi Toccafondo's adaptation brings them to the center. It's a film he cursed over and which took him three years to complete.

poster

?

6.8

/29/

35

/2/

Animated mugshots of criminals.

poster

?

Visually interesting portrait of a person during the process of creation

poster

?

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

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