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6.8
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Chandashasanudu (1983)
The film is a battle between feudalism & Communism. Trouble ensues when Raja, a medical college student, falls in love with his classmate Rani, unaware of a powerful enmity existing between their families based on class differences.
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The Scar of Shame (1929)
An educated, upscale young black musician marries a woman from a lower socioeconomic class to get her out of the clutches of her stepfather.
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What is Your Name? (2025)
A government job brings Seema Valmiki to Mumbai. On her first day, she hears two remarks: a casteist comment from a female officer and a loud “Jai Bhim” from the liftman.Trying to fit in, Seema hides her surname and avoids the liftman's greetings. But Seema is changed when the liftman is fired for wanting to celebrate Dr. Ambedkar’s birth anniversary.
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Lost Tribe of Africa
“Over 500 years ago, my tribe arrived on the shores of India from Africa,” says the social worker narrator of Asha Stuart’s Lost Tribe of Africa. His ancestors fled enslavement, escaping into the forest in the Indian state of Karnataka where they live today, most of them Hindu converts. India’s 35,000 descendants of slaves from Africa’s Bantu Region are members of the Siddi tribe. Siddi means “enlightened one,” but the Siddi are “Untouchables” in India’s caste system. “How do you empower the youth in a world whose people think they’re less than human?” asks the narrator, whose life mission is to do just that.
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Untouchable: Laughing Out Caste
Manjeet Sarkar is an internationally acclaimed stand-up comedian who has been performing for 7 years. He has done six national tours in India of his solo show ‘Untouchable’, performed at the United Nations, and is currently on a world tour. Co-directed by Mike Noone, Untouchable: Laughing Out Caste is Sarkar’s first documentary that covers his groundbreaking journey across India and now the world. It captures his unique perspective on rural and urban life, caste, and class. Untouchable: Laughing Out Caste highlights the universality of issues faced by marginalised communities and the transformative power of artistic expression.
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Balak Ambedkar (1991)
A story about the childhood of Dr. B.R. Ambedkar.
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Bringing Down a Mountain
A rural village never wanted to be a city’s landfill or a distant blur in Reels but rather home to new imaginations. Bringing Down a Mountain dissects the intersecting themes of access, abolition and caste through the experiences of residents of a rural village and that of a hyper-urban city. The film follows the village residents’ dreams—of mobile data, digital payment and relief from menial work. What happens when the landfill is full, and dreams want to break free?
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THE REDEMPTION (2019)
Manja and Ravi, two dalit kids live in a tiny village in the western ghats. Vaasudeva, a kid from an orthodox brahmin family wants to be friends with them. This leaves Manja and Ravi in a conflict with their daily lives.


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