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poster
83
75
8.4
/6004/
80
/178/
75
/171/
4.2
/9488/
95
/66/

Rabbit of Seville (1950)
Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.
poster
63
22
6.9
/719/
54
/10/
59
/27/
3.5
/708/

The Cat Above and the Mouse Below (1964)
Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.
poster
?
100
/1/

Rossini: L'inganno felice - Teatro Fraschini di Pavia (2017)
N/A
poster
?
100
/1/

Rossini: La Gazza Ladra - Teatro alla Scala (2017)
N/A
poster
?
80
/1/

Rossini: L'Italiana in Algeri - Festival d'Aix-en-Provence (2007)
Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.
poster
?
72
/2/

Largo al factotum (2009)
A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.
poster
?

Rossini: L'inganno felice - Rossini in Wildbad (2015)
N/A
poster
?

Rossini: L'italiana in Algeri (2018)
Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In the production by BAFTA winners Mosh Leiser and Patrice Caurier, which plays with prejudices about clashing cultures, Mustafà is no longer an Ottoman bey, but a shady gangster who traffics electronic goods in the port of Algiers.


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