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poster

70

28

7.2

/810/

69

/30/

64

/22/

3.5

/597/

64

/11/

84

/7/

50 % of the world’s population lives in urban areas. By 2050 this will increase to 80%. Life in a mega city is both enchanting and problematic. Today we face peak oil, climate change, loneliness and severe health issues due to our way of life. But why? The Danish architect and professor Jan Gehl has studied human behavior in cities through 40 years. He has documented how modern cities repel human interaction, and argues that we can build cities in a way, which takes human needs for inclusion and intimacy into account.

poster

74

21

7.5

/164/

71

/8/

75

/19/

3.8

/877/

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

poster

83

11

8.1

/203/

75

/7/

100

/3/

3.9

/661/

This witty and original film is about the open spaces of cities and why some of them work for people while others don't. Beginning at New York's Seagram Plaza, one of the most used open areas in the city, the film proceeds to analyze why this space is so popular and how other urban oases, both in New York and elsewhere, measure up. Based on direct observation of what people actually do, the film presents a remarkably engaging and informative tour of the urban landscape and looks at how it can be made more hospitable to those who live in it.

poster

?

7.4

/24/

35

/2/

100

/1/

An oversized courthouse, in the heart of Brussels, would hide an initiatory journey. A secret passage would lead the members of a sect composed of politicians and architects who destroy Brussels to build a utopian city.

poster

?

7.1

/12/

N/A

poster

?

80

/1/

N/A

poster

?

10

/1/

A documentary about urbanisation.

poster

?

10

/1/

‘A patchwork sewn together by a lunatic, God knows what sort of junk thrown together.’ This is how the irritated Renaat Braem characterised the Belgian landscape as seen from the air in his pamphlet ‘The ugliest country in the world’ (1968). Over the last half century, this sort of complaint about the lack of planning has alternated with resentment at the surfeit of spatial regulation on the part of the authorities. Film-makers have provided pictures to go with these divergent opinions. From Charles Dekeukeleire’s propaganda film disguised as a documentary, through Luc De Heusch’s documentary insert packaged as fiction, to the critical opinion pieces by Jef Cornelis.

poster

?

10

/1/

American historian Lewis Mumford looks at the city through history.

poster

?

6.7

/41/

10

/1/

55

/2/

Documentary on the construction of Chandigarh, the new capital of the Indian Punjab region, planned by Albert Mayer and Swiss architect Le Corbusier.

poster

?

7.5

/19/

Benoit Pilon introduces us to those who live in the vast region more than a thousand kilometers northwest of Montreal, where, in the early 1970s, the massive James Bay project forever changed the landscape and people's lives. To carry out this mega-project, one village was created (Radisson) and another moved (Fort George, now known as Chisasibi). Though most of the workers have since gone home, some chose to stay. Radisson's inhabitants are still often tempted to move back down South, but many have developed imaginative ways of putting down roots. And while the Crees of Chisasibi look to the future, they also want to maintain their traditions, especially for the younger generation who are so attracted to the ease of modern life. But what with the hunting trips, going-away parties and still-vibrant customs, the residents of these two communities simply enjoy the Northern way of life.

poster

?

10

/1/

SUNSHINE CITY is Albie Thom’s sprawling, protoplasmic experimental portrait of his hometown of Sydney. The National Film and Sound Archive of Australia call it “a structured diary film which investigates the process of living in Sydney, which uses a repeating light modulation to intensify experiences of light, heat, colour”.

poster

?

7.5

/6/

50

/1/

The film tells the story of the first skyscraper of São Paulo, the Martinelli building, and registers testimonials of its last residents who had to move after São Paulos’ municipality interdiction of the building. It shows the variety of human types and commercial establishments that used to exist inside the traditional building.

poster

69

?

6.9

/66/

70

/1/

70

/1/

3.5

/346/

Kavich Neang documents the final days of the White Building in Phnom Penh, an architectural landmark he had lived in since birth.

poster

?

8.4

/6/

N/A

poster

?

40

/1/

As a portrait of a housing project with astonishing shapes (La Maladrerie near Paris), SONGS NEXT DOOR by Flavie Pinatel is a documentary of a different kind, since the protagonists express themselves through songs and not through speech. Implicitly, Flavie describes poetically how people live together in France in 2016.

poster

?

7.6

/72/

36

/3/

65

/6/

This is Ogawa Productions’ first major film from their Yamagata period. They had already started photography on Magino Village -A Tale but they were drawn to this village deep in the high country above Magino when a particularly cold bout of weather threatened crops. Inevitably, their attention strayed from the impact of weather and geography on the harvest to the “life history” of Furuyashiki Village. On the one hand, Ogawa returns to his roots by playing with the conventions of the science film. At the same time, he discovers a local, peripheral space in which to think about the nation and the state of village Japan. From this “distant perspective” in the very heart of the Japanese mountains, Ogawa discovers a village still dealing with the trauma of global warfare and struggling for survival as their children flee for the cities.

poster

58

?

5.9

/395/

51

/10/

56

/9/

3.2

/414/

A prescient documentary about city planning, which presents idyllic suburbs and nuclear families as a solution to the chaos, poverty and social decay of industrialized inner cities.

?

N/A

poster

?

7.2

/5/

Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.

poster

?

Architects Lebbeus Woods and Steven Holl have been friends for many years, brought together by their creativity, philosophy and visionary architectural pursuits. While both are theorists, Woods finds himself preoccupied with bold, speculative designs that push back against notions of time and space, not waiting or searching for any kind of commissions but instead forming his own aesthetical world through the freedom of drawing. This approach stands in direct contrast with Holl's body of work, which consists of many physical buildings both in the United States and abroad. This known order between the two architects has recently been interrupted by Holl commissioning Woods to design a four-story pavilion for his large-scale multi complex Sliced Porosity Block in Chengdu, China. Getting together at Woods' workspace in downtown Manhattan, the longtime friends recall their careers while discussing the current project and their mutual architectural practices.

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