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poster
Netflix
81
7.6
/23496/
76
/1167/
72
/231/
4.1
/205454/
96
/143/
95
/27/
76
/33/
cc age 16+

Kneecap (2024)
When fate brings Belfast teacher JJ into the orbit of self-confessed "low life scum" Naoise and Liam Óg, the needle drops on a hip-hop act like no other. Rapping in their native Irish, they lead a movement to save their mother tongue.
poster
Amazon Prime Video
76
31
7.0
/595/
70
/11/
68
/8/
3.5
/1313/
100
/12/
82
/1/
cc age 15+

Arracht (2021)
Colmán Sharkey - a fisherman, a father, a husband - takes in a stranger at the behest of a local priest. Patsy, a former soldier arrives just ahead of ‘the blight,’ a crop disease that caused the Great Plague, killing and displacing millions of Irishmen.
poster
76
24
7.9
/538/
79
/11/
72
/10/
3.7
/1565/

Yu Ming Is Ainm Dom (2003)
Yu Ming is bored of his life in China and decides to go to Ireland. He studies the language, but is dismayed to find that no one understands him when he gets there.
poster
72
23
7.6
/191/
50
/3/
72
/5/
3.6
/548/
89
/9/
75
/6/

Rocky Road to Dublin (1968)
Irish-born journalist Peter Lennon examines the contemporary (1967) state of the Republic of Ireland, posing the question, “What do you do with your revolution once you’ve got it?” It argues that Ireland was dominated by cultural isolationism, Gaelic and clerical traditionalism at the time of its making.
poster
?
6.9
/14/

Muide Éire (2011)
Muide Eire / We are Ireland documents the history of Ireland on screen. From the horse drawn carriages of Dublin's yesteryear, to the latest summer blockbuster, this film takes an intimate look at film making in Ireland - as a visual expression of Irish culture, celebrating contemporary filmmakers in both the Irish and English languages. From the glamour of the red carpet to behind the scenes 5am starts, We are Ireland invites the viewer into this world where art and industry exist in delicate balance. The heart of this documentary is our investigation into representations of Ireland and the Irish - how the Irish have been viewed abroad, and how we represent ourselves on screen.
poster
?
8.1
/24/
70
/2/

The Poor Mouth (2017)
An animated adaptation of Flann O’ Brien’s acclaimed 1941 novel in Irish. A biting satire on the highly popular Gaeltacht autobiographies of the time and widely regarded as one of the greatest Irish-language novels of the 20th century.
poster
69
?
6.8
/187/
80
/1/
60
/1/
3.4
/318/

Doineann (2021)
When Tomás returns to his remote island holiday home he discovers his reclusive wife and child have vanished. With nowhere to turn and a storm approaching, he is forced to place his trust in the small community's lone retired police officer, Labhaoise, to investigate. As the search takes an unexpected turn, some uncomfortable truths are revealed. Meanwhile the storm looms ever closer.
poster
?
8.5
/22/
10
/1/

Freedom? (1961)
Documents the period 1919-1922 in Ireland's history, covering the war of independence against the British and the civil war that followed using archive footage from the time, including original newsreel footage.
poster
?
7.8
/56/
45
/5/
58
/4/

I Am Ireland (1959)
Mise Éire ("I am Ireland") is a 1912 Irish-language poem by the Irish poet and Republican revolutionary leader Patrick Pearse. In the poem, Pearse personifies Ireland as an old woman whose glory is past and who has been sold by her children. The poem inspired this 1959 film of the same name by George Morrison. Here, Morrison painstakingly assembled historical footage of the events surrounding the 1916 Rising from archives across Europe and deals with key figures and events in Irish Nationalism between the 1890s and the 1910s. The narration is by Liam Budhlaeir and Padraig O'Raghallaigh and the musical score is by Seán Ó Riada.
poster
?
8.0
/29/
70
/1/
63
/3/
60
/7/

Bernadette: Notes on a Political Journey (2011)
This remarkable documentary, made over a nine year period, charts the story of Bernadette Devlin McAliskey’s political journey since her explosive entry into the public arena in the late sixties. Combining archive footage with a series of intimate interviews conducted with Devlin McAliskey, director Lelia Doolan perfectly encapsulates the idiosyncrasies and rebelliousness which has fuelled her subject’s pivotal role at the heart of civil rights, feminism and socialism in Northern Ireland. Bernadette is a fascinating and powerful account of this firebrand figure, an impressively rounded depiction of a woman blessed with incredible eloquence, clarity and firm socialist principles.
poster
70
?
7.1
/163/
70
/1/
70
/1/
3.5
/409/

Poitín (1978)
A poitín (moonshine) maker attempts to avoid the attentions of the Gardaí (police) in Connemara in the west of Ireland.
poster
?
7.3
/24/
80
/1/
60
/1/

Violet Gibson, the Irish Woman Who Shot Mussolini (2020)
The true and forgotten story of Violet Gibson, daughter of the Lord Chancellor to Ireland, who shot fascist dictator Benito Mussolini at point-blank range as she faced a Fascist mob in Rome in 1926. The film looks at how she almost changed the course of history and the enormous personal price she paid.
poster
?
9.2
/35/
80
/2/

Allone (2020)
In pre-Christian Ireland, a young, recently bereaved woman with no one left in the world, travels the land in search of a remedy that can bring her child back to life, only to find a cure not for the child's mortality, but for the grief she can no longer bear.
poster
?

Reds of Ireland (2023)
Exploring communism in Ireland until the fall of the Soviet Union
poster
?

A War on Women
Why is it that stories of sexual violence against women have never been part of the Irish War of Independence and the subsequent Civil War? Why, when those stories have been such an integral part of every other war – World War One, World War Two and even the later Bosnian War, are these stories missing from the Irish Revolution? For years, Ireland has been seen as being exceptional in that these acts didn’t occur here. But was Ireland really so special? Was the nature of war here so very different from war everywhere else? And did our men really behave so well? This documentary argues that the answer is no.


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