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poster

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5.8

/5/

70

/1/

A charismatic womanizer is deprived of his leadership and betrayed by his own people.

poster

78

?

7.0

/56/

85

/2/

85

/2/

3.6

/208/

Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.

poster

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10

/1/

Documentary about the priest and joiker Johan Märak and the artist Lars Pirak, and their friendship.

poster

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7.6

/22/

75

/2/

Love, music, Sami identity and environmental activism go hand in hand in this inspiring tale of young singer Ella and her fight against the mining company that threatens her Sami heritage.

poster

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60

/1/

Two parallel stories are gradually unfolding the everyday life of two very different persons - that of 86-year-old Sara and 7-year-old Mihka - both residing in Guovdageaidnu - Kautokeino, in the middle of the Norwegian arctic tundra, through the drastic change of the arctic seasons and the passage from the long winter’s darkness to the never-ending light of the summer season.

poster

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65

/2/

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

poster

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10

/1/

Follows Astrid & Sune as they show techniques and methods of sami handcraft.

poster

?

5.8

/19/

60

/1/

Three Sámi men travel to the capital of Norway. One of them is wearing gákti, the Sámi traditional costume, to attract Norwegian women. The second one believes it unethical to do this, and the third is bitter that he doesn't attract women when he wears the gákti. Indigenous Police is a Sámi short film told with humor and political sting. It is an identity satire about how people, both the Sámi and the majority population, consciously and unconsciously define what is the right way to be Sámi.

poster

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7.1

/93/

50

/1/

70

/2/

The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.

poster

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5.8

/44/

63

/3/

35

/4/

Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.

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20

/1/

A documentary about Áillohaš (Nils-Aslak Valkeapää), a musician, painter, and poet of the Sámi people in Finland.

poster

65

?

7.0

/122/

54

/5/

68

/4/

3.5

/293/

Sami dance students Birit and Katja Haarla dance through the villages and lost woods of Sápmi all the way to where the important decisions are made. The polarity of Nature and the Western way of life is filtered through sharp humour.

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N/A

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When Mats' grandfather dies the family opens a wooden box containing evidence of the family's Sami heritage. Why has this been kept secret? Why did they stop being Sami? And why do they know so little about their history?

poster

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In the film about "the land of eternal light and eternal darkness" we meet some women who talk about their lives. The women have all grown up in reindeer herding families and as children they lived in kotas, moved with reindeer and lived a life in nature. Their own children, on the other hand, have grown up in "normal" Swedish society. None of them have lived like their parents. The film addresses Sami culture, language, school. How modern technology has affected the lives of the Sami.

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A man finds some glasses on the ground. When he puts them on he is transported into a Sámi world.

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The everyday life of the Karesuando Sámi at the Sarek Mountains, near their camp, the sita. Traditionally, the Sámi have pursued a variety of livelihoods, including coastal fishing, fur trapping, and sheep herding. Their best-known means of livelihood is semi-nomadic reindeer herding. The genetic makeup of Sámi people has been extensively studied for as long as such research has been in existence. Ethnographic photography of the Sámi began with the invention of the camera in the 19th century. This continued on into the 1920s and 1930s, when Sámi , against their will, were photographed naked and anatomically measured by scientists,.

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Joar Nango has collected books and various other material relevant to Sami architecture. This is is a deep dive into Gumpien's history and use today. A gumpi is a portable shepherd's hut mounted on dairies, often used during spring migration in reindeer husbandry.

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