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poster
81
7.8
/14347/
78
/935/
75
/379/
3.9
/22050/
96
/105/
89
/162/
72
/22/

The Beatles: Eight Days a Week - The Touring Years (2016)
The Beatles stormed through Europe's music scene in 1963, and, in 1964, they conquered America. Their groundbreaking world tours changed global youth culture forever and, arguably, invented mass entertainment as we know it today. All the while, the group were composing and recording a series of extraordinarily successful singles and albums. However the relentless pressure of such unprecedented fame, that in 1966 became uncontrollable turmoil, led to the decision to stop touring. In the ensuing years The Beatles were then free to focus on a series of albums that changed the face of recorded music.
poster
Kanopy
70
6.5
/7541/
68
/216/
68
/166/
3.5
/14638/
75
/85/
55
/26/
72
/21/

Manifesto (2017)
An edited version of Rosefeldt's installation work of the same name, Manifesto is an outstanding tribute to various (art) manifestos of the nineteenth and twentieth century, ranging from Communism to Dogme, in connection with thirteen different characters, including a homeless man, a factory worker and a corporate CEO, who are all played by Cate Blanchett. A striking humorous audio-visual experience.
poster
Kanopy
64
6.8
/524/
70
/12/
66
/17/
3.4
/739/
69
/13/
58
/7/

Beuys (2017)
A documentary about the 20th century German sculptor and performance artist Joseph Beuys.
poster
35
9
3.1
/270/
29
/13/
26
/19/
2.8
/624/

No. 4 (1966)
This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.
poster
37
7
3.8
/129/
20
/9/
33
/10/
2.9
/531/

Eyeblink (1966)
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
poster
48
7
4.8
/92/
43
/3/
38
/14/
3.2
/289/

One (1966)
Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.
poster
?
4.8
/18/

Eyeblink (1966)
N/A
poster
?
8.2
/13/

John Cage: Man and Myth (1990)
An experimental documentary that looks at its subject John Cage through the eyes of contemporary Avante-Garde artists as well as those who play his music.
poster
?
5.7
/17/
45
/1/

Videotape Study No. 3 (1967)
Part of a collection of restored early works by Nam June Paik and Jud Yalkut, this piece is historically significant as well as remarkably prescient. Video Tape Study No.3 is a direct media intervention, in which Paik distorts and manipulates footage from news conferences by U.S. President Lyndon Johnson and New York Mayor Lindsey.
poster
?
60
/1/

A Tribute to John Cage (1976)
A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, Paik creates a pastiche of Cage's performances and anecdotes, interviews with friends and colleagues, and examples of Paik's participatory music and television works that parallel Cage's strategies and concerns. The methodology and philosophies that inform Cage's radical musical aesthetic — chance, randomness, the democratization of sounds — are evident as he performs such seminal pieces as 4'33" (of complete silence) in Harvard Square, or throws the I Ching to determine performance sites. Among the collage of elements included in this work are segments from Paik's Zen for TV; Paik and Charlotte Moorman in early performances, including the TV Bra; and anecdotes from composer Alvin Lucier.
poster
?
6.2
/16/

Fluxus Hair Tainer (2004)
So my caring mother would rub the Fluxus Hair Tainer into my scalp, comb my disobedient locks, and then send me off to school looking like that ass-wipe kind on the bottle. I was an independent kid by gum, and this hair meant that I belonged, that my parents knew what was fucking what. This film is an adaptation of Paul Auster story: "Timbuktu".
poster
?
10
/1/

Nam June Paik (1962)
Short film about performance, realized when Nam June Paik participated in Karlheinz Stockhausen's piece "Originale" in Cologne in 1961.
poster
?
40
/2/

Stockhausen's Originale: Doubletakes (1964)
This fascinating film documents the U.S. premiere production of Originale, a Happening by German composer Karlheinz Stockhausen. Filmed at the "2nd Annual Avant Garde Festival of New York," which was produced by Norman Seaman and Charlotte Moorman, the stage production was directed by Allan Kaprow. Performers include Nam June Paik, Moorman, Jackson Mac Low and Allen Ginsberg, among many others.
poster
?
7.1
/17/

Eine Kirche der Angst vor dem Fremden in mir (2009)
The movie version of Christoph Schlingensief's stageplay.
poster
?
7.8
/11/
10
/1/
60
/1/

Yoko Ono: This Is Not Here (1972)
"On John's 31st birthday, Yoko held an art exhibit, "This Is Not Here", at the Everson Museum of Art in Syracuse, N.Y.. The show was taped and aired on U.S. TV on May 11, 1972 as "John and Yoko in Syracuse, New York."
poster
?
6.8
/17/

The Misfits - 30 Years of Fluxus
The film portrays a group of artists who since the early 1960s have completely disrupted our ideas of what art can be. In large part filmed in Venice in 1990, when many of the original Fluxus artists met to hold a large exhibition almost 30 years after the first highly untraditional Fluxus' performances. Features Eric Andersen, Philip Corner, Dick Higgins, Yoko Ono, Nam June Paik, Ben Vautier, and many others.
poster
?
6.2
/6/

Malpartida Fluxus Village (2015)
The German artist Wolf Vostell and his family moved to a little village in Cáceres (Extremadura/Spain) in the seventies. In the middle of this primitive environment, he founded a contemporary art museum in connection with the local inhabitants, thus turning Malpartida into the first Fluxus village.
poster
Kanopy
?
7.5
/12/
10
/1/

American Art in the 1960s (1972)
During this critical decade in American life, artists built on the styles of the 1950s. An explosion of artistic energy produced Pop Art, Minimalism, color-field painting, and hard-edged abstraction. Sculptors and painters on both coasts explored new methods and new subject matter. American Art in the Sixties examines the key figures of that decade including Rauschenberg and Johns, two crucial transitional figures between Abstract Expressionism and the sensibilities of the new decade. The art of that time mirrors the optimism and the affluence, and the technology and the vulgarity of those boom years.
poster
42
?
4.9
/54/
25
/5/
42
/8/
3.0
/372/

Unrolling Event (1965)
Toilet paper event, single frame exposures.
poster
?
4.1
/22/
16
/3/
43
/3/

Faire un effort (1969)
Lifting and holding up a chest of drawers.
poster
?
4.9
/21/
45
/6/
60
/5/

Dance (1966)
"Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall."
poster
?
4.2
/23/
15
/2/
45
/4/

Je ne vois rien, je n'entends rien, je ne dis rien (1966)
Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.
poster
?
5.6
/21/
20
/2/
50
/3/

Fluxfilm No. 36 (1970)
Tips of feet walking at the edge of frame, all around the frame.
poster
58
?
6.1
/116/
40
/4/
65
/8/
3.4
/372/

Word Movie (1966)
Single frame exposures of words.
poster
?
5.5
/26/
26
/3/
50
/3/

Fluxfilm No. 37 (1970)
Face going out of focus by layering sheets of plastic between camera and subject.
poster
46
?
5.4
/59/
10
/3/
60
/7/
3.1
/341/

Dots 1 & 2 (1965)
Single frame exposures of dot-screens.
poster
55
?
5.7
/49/
41
/5/
65
/4/
3.1
/204/

Sears Catalogue 1-3 (1965)
Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models
poster
53
?
5.6
/58/
25
/4/
68
/5/
3.1
/423/

Wrist Trick (1965)
Various gestures of hand held razorblade, single frame exposures.
poster
?
4.9
/22/
36
/3/
50
/3/

Shout (1966)
Close-ups of two faces, shouting at each other.
poster
?
4.6
/23/
20
/3/
58
/4/

Readymade (1966)
Color test strip from developing tank.
poster
?
5.1
/32/
10
/2/
48
/6/

Opus 74, Version 2 (1966)
Single frame exposures, color. Different image each frame, various items in the room, etc.
poster
47
?
5.8
/42/
10
/1/
57
/3/
3.1
/204/

Artype (1966)
Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.
poster
?
10
/1/

Joseph Beuys: Transformer (1988)
A film about German artist Joseph Beuys's art where the artist speaks about his work and explains it to an American audience.
poster
?
4.7
/25/
33
/3/
45
/4/

5 O'Clock in the Morning (1966)
A handful of rocks and chestnuts falling, filmed with high speed camera.
poster
?
4.8
/24/
43
/3/
43
/3/

Entrance to Exit (1965)
Features entrance and exit door signs, fading through black and white.
poster
?
5.2
/22/
43
/3/
50
/3/

Trace No. 24 (1965)
X-ray sequence of mouth and throat; eating, salivating, speaking.
poster
?
5.6
/22/
35
/2/
59
/6/

Trace No. 23 (1965)
Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso.
poster
40
?
4.2
/46/
22
/4/
55
/6/
2.7
/354/

1000 Frames (1966)
Numerals on clear film from 1 to 1000."
poster
?
5.3
/22/
30
/2/
50
/5/

9 Minutes (1966)
Time counter, in seconds and minutes.
poster
?
5.4
/26/
40
/3/
52
/4/

Trace No. 22 (1965)
Begins with a picture of Marilyn Monroe, then shifts to a female body, shot from belly button down, which is wriggling under piles of cellophane.
poster
46
?
4.2
/54/
32
/4/
56
/8/
2.8
/413/

10 Feet (1966)
Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10
poster
?
5.3
/38/
40
/2/
50
/3/

Disappearing Music for Face (1966)
A smile gradually fades into a neutral facial expression.
poster
?
4.6
/30/
35
/2/
50
/4/

Blink (1966)
Flicker: White and black alternating frames.
poster
44
?
5.1
/44/
30
/3/
58
/4/
3.0
/245/

End After 9 (1966)
Word & number gag, no camera.
poster
?
4.8
/33/
27
/4/
60
/4/

Invocations of Canyons and Boulders (for Stan Brakhage) (1966)
"INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain the lost-eye consciousness." - Jonas Mekas
poster
?
10
/1/

Indetermediate Movie (1966)
Fluxfilm No. 33 by Milan Knízák
poster
?
10
/1/

Rainbow Movie (1966)
Fluxfilm No. 34 directed by Ay-O
poster
?
10
/1/

Intermission (1966)
Fluxfilm No. 32 by Milan Knízák


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