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poster

73

7.0

/689/

63

/13/

68

/15/

3.7

/804/

85

/55/

72

/26/

79

/21/

3.0

Ross McElwee travels through the North Carolina tobacco belt in search of the ancient southern traditions associated with tobacco growing and use, while comparing his filmmaking to commercial cinema, represented by Bright Leaf, a melodrama directed by Michael Curtiz in 1950, starring Gary Cooper, apparently based on the life of his great-grandfather.

poster

67

6.5

/2245/

71

/52/

64

/39/

3.5

/2823/

71

/17/

70

/39/

2.5

Brothers Vincent and Clay meet up for the first time after their father's funeral and remark on how similar they look. But unknown to Clay, Vince is actually plotting to kill him with a car bomb and pass the corpse off as his own, planning to start a new life elsewhere with his father's inheritance. But Clay survives the blast and has his face, memory and identity restored in hospital... but are they the right ones?

poster

78

62

7.5

/2237/

77

/151/

71

/69/

3.9

/13029/

100

/38/

70

/21/

Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.

poster

69

50

7.2

/2033/

66

/39/

68

/37/

3.5

/1218/

67

/6/

74

/71/

An examination into the nature of 1960's-70's horror films, the involved artists, and how they reflected contemporary society.

poster

66

25

7.2

/147/

54

/7/

49

/10/

3.5

/470/

88

/8/

One of America’s foremost practitioners of the essay film presents a major new work inspired by the writings of Gilles Deleuze on cinema. Andersen’s The Thoughts That Once We Had is a richly layered journey through cinematic history, masterfully edited as it playfully moves across decades and genres, and suffused at every turn by the renowned filmmaker and critic’s lifelong passion for the movies.

poster

57

?

5.9

/54/

47

/4/

53

/3/

3.5

/285/

Harun Farocki was commissioned by the Lille Museum of Modern Art to produce a video 'about his work'. His creation was an installation for two screens that was presented within the scope for the 1995 exhibition The World of Photography. The work Schnittstelle developed out of that installation. Reflecting on Farocki's own documentary work, it examines the question of what it means to work with existing images rather than producing one's own, new images. The title plays on the double meaning of 'Schnitt', referring both to Farocki's workplace, the editing table, as well as the 'human-machine interface', where a person operates a computer using a keyboard and a mouse.

poster

66

?

6.8

/94/

73

/11/

57

/3/

Stories of how the film Evil Dead, The (1981) rose up very high against the accusations of the 'Video Nasties' of the 1980's in the UK. Many controversial films are referenced here to give us an example of how Evil Dead, The (1981) didn't belong in the garbage bin, and how it was very original for its genre.

poster

?

6.0

/55/

10

/1/

65

/6/

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

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