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poster

45

37

5.1

/3414/

48

/52/

51

/74/

3.0

/1641/

32

/25/

29

/183/

44

/7/

A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.

poster

68

?

6.7

/155/

70

/2/

A travelogue celebrating the 1939 Golden Gate Exposition and highlighting its exhibition of classical paintings and stunning lighting effects.

poster

51

?

7.1

/69/

10

/1/

3.6

/382/

Marlon E. Fuentes' Bontoc Eulogy is a haunting, personal exploration into the filmmaker's complex relationship with his Filipino heritage as explored through the almost unbelievable story of the 1,100 Filipino tribal natives brought to the U.S. to be a "living exhibit" at the 1904 St. Louis World's Fair. For those who associate the famous fair with Judy Garland, clanging trolleys, and creampuff victoriana, Bontoc Eulogy offers a disturbing look at the cultural arrogance that went hand-in-hand with the Fair's glorification of progress. The Fair was the site of the world's largest ever "ethnological display rack," in which hundreds of so-called primitive and savage men and women from all over the globe were exhibited in contrast to the achievements of Western civilization.

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