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poster

75

7.0

/292/

70

/17/

69

/8/

3.8

/2583/

90

/30/

79

/14/

3.0

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

poster

68

35

6.4

/158/

42

/8/

70

/2/

3.4

/846/

80

/260/

87

/1652336/

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

poster

60

29

5.9

/858/

60

/4/

45

/19/

55

/11/

91

/9/

54

/9/

Between surrealism, unusual characters, art and magic tricks, "Swim Little Fish Swim" is a dreamlike journey from childhood to adulthood.

poster

58

26

6.7

/133/

43

/9/

10

/2/

3.5

/539/

88

/8/

60

/1/

68

/5/

The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.

poster

54

11

5.5

/162/

39

/12/

55

/13/

3.5

/444/

A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut

poster

63

10

6.8

/58/

45

/2/

67

/6/

3.6

/658/

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political. Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.

poster

69

10

7.3

/94/

61

/5/

73

/6/

3.6

/565/

'Ki or Breathing' is a spare concoction assembled from slow motion shots of nature and set to a score by the much-acclaimed Tohru Takemitsu.

poster

62

10

7.0

/164/

36

/3/

73

/10/

3.5

/380/

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.

poster

56

10

6.1

/102/

41

/7/

56

/9/

3.4

/575/

The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Prince, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco'.

poster

65

9

5.7

/113/

65

/5/

72

/4/

3.4

/639/

Expansion remixes the images of Matsumoto’s Esctasis into an more colourful psychedelic short.

poster

?

50

/1/

N/A

poster

?

100

/1/

A film by Osnat Shalev from the Department of Visual Communications, Bezalel Academy of Art and Design

poster

?

40

/1/

a visualization of a poem telling a story of making a piramid out of a mountain

poster

?

80

/1/

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

poster

?

100

/1/

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.

poster

?

100

/1/

N/A

poster

?

10

/1/

In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly listening to a walkman that plays, a recording of 'The Best of Lou Reed and the Velvet Underground'. The artist can hear the music through his earphones, but as viewers we are only privy to the sound of his voice that whispers the melody. As we listen to the hypnotic interpretion of the familiar songs - as emblematic for pop music history as 'Psycho' is for film - we are forced to mentally 'reconstruct' the remaining orchestration, instrumentation and vocals. We must attempt to reassemble something we already know to be a fact by negotiating the sticky mess of interpretation, meaning, and memory.

poster

?

35

/2/

Repercussion is a political statement of existence through poetic counterpoint of images and sound.

poster

?

70

/1/

70

/2/

Super 8mm, 21 min., b&w, music by Jefre Cantu-Ledesma.

poster

?

7.8

/16/

15

/2/

The hilarious hour-long episode follows the bipolar, beer-swilling dog, Barkley, and the Critters, the band he fronts. His rocker menagerie includes a vulture, a snake, a tracksuit-clad paranoid schizophrenic crow, a Buckethead-esque farm boy on harmonica, and a manic- depressive canine drummer.

poster

?

20

/1/

For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weapon in his hand. After eleven minutes he was arrested by the police. The following day he repeated the action, this time in cooperation with the police. By presenting a record of this dramatic action alongside footage of its reenactment, Alÿs blurs the boundaries between documentation and fiction. Questioning the concept of authenticity, this work demonstrates “how media can distort and dramatize the immediate reality of a moment,” the artist has said. Gallery label from Francis Alÿs: A Story of Deception, May 8–August 1, 2011.

poster

?

10

/1/

In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”

poster

?

100

/1/

Enclosed by a civilised landscape, society reduces the problem of human survival to a minimum. The sidewalk, the fence, the clearing, demarcate a treaty between man and nature whereby neither one of us shall pass these thresholds lest we become subject to the law of the other.

poster

?

20

/1/

Static Discharge is composed of abstractions created from signal interference. The picture frame is continuously disrupted, as textured lines of feedback distort any form of representation. The flickering movement appears as if fed by an electric current with a faulty conductor - the electronic waves seem to split and repeat themselves without fully transmitting. This is a composition of video noise that creates pulsating tension, a s electricity grinds with flesh, revealing the harsh beauty inherent in a mechanical medium.

poster

?

60

/1/

Video art body horror short film.

poster

?

30

/1/

The funniest thing happened to me the other day...

poster

?

10

/1/

80

/1/

Paik produced this exuberant, high-speed collage as a commission for the National Fine Arts Committee of the 1980 Olympic Winter Games. In a fractured explosion of densely layered movement and action, images of Olympic sports events are mixed with Paik’s recurring visual and audio motifs.

poster

?

80

/1/

A nervous portrait of a Zagreb train station filmed from the tracks. The imminent impact leads to seeing stars. Super 8mm film with music by Barn Owl.

poster

?

10

/1/

In this film, Nauman bounces his testicles with one hand. Shot in extreme close-up, the work is perhaps an ironic reference to an earlier film Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms, in which he bounced rubber balls. Along with Black Balls, Gauze, and Pulling Mouth, Bouncing Balls is one of Nauman's "Slo-Mo" films which are shot with an industrial high speed camera.

poster

?

70

/1/

An experimental re-edit of Jack Frost, starring Michael Keaton.

poster

?

90

/1/

In her celebrated video art serial, Whispering Pines, video and performance artist Shana Moulton tells the ever-evolving story of Cynthia, an anxiety-ridden hypochondriac whose constant search for health and happiness leads her towards fad cures and new age kitsch, creating situations in turn comic, contemplative, and surreal. The mundane objects in Cynthia's world act as portals into her own overactive subconscious, wherein hallucinatory sequences explore the nature of material and spiritual concerns in contemporary culture.

poster

?

100

/1/

the examination of an inability to get out of bed in the morning.

?

10

/1/

80

/1/

Recording of video processing feedback which was "performed" live to the music of The Soft Machine.

poster

?

8.4

/7/

10

/1/

100

/1/

An experimental and video art film in which an ox is butchered by a butcher.

poster

?

20

/1/

N/A

poster

?

10

/1/

Short experimental film by Steina, Woody Vasulka

poster

?

70

/1/

‘Approach‘ is a monolithic silhouette, a great shape at the edge of sight, broiling with the same kind of intensity and the same blanched tones as other great works written as if in memoriam — The Caretaker’s works, for one example. Emma Northey renders this, and much else, into her arresting video for ‘Approach VIII: Becoming Halfling‘, a visual accoutrement that makes it hard to determine which came first: is it the shapes and landscape-like forms swirling in the darkness making the noise, or are the sounds, reflecting on a surface and rendering themselves into form? Or perhaps neither, both just glimpses of one sinuous, near-living being.

poster

?

7.1

/32/

10

/1/

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

poster

69

?

7.7

/37/

60

/2/

3.5

/367/

With Grosse fatigue, Camille Henrot set herself the challenge of telling the story of the universe’s creation. Indeed, the fatigue is grosse, or hugely weighty, she who has condemned herself to carrying the weight of the world on her shoulders like the Titan Atlas. But aren’t such dark and lonely burdens meant to become as light, as beautiful and fragile as soap bubbles in the hands of an artist? Holding the world in the palm of her hand… it floats effortlessly at the palm’s surface as though, imbued with magical powers, the artist has truly resurrected the youth of humanity from the depths of the ages – bringing to life the magisterial dawn we had thought too far off to ever be seen again, yet which captivates us as easily as a magic lantern does a child.

poster

?

50

/2/

60

/1/

Film #37 is part of an ongoing exploration of the propagation and diffraction of light through holes and grids.

?

50

/1/

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day to night and the influence of the weather gives motion to the segments. He condenses a total of 3,000 individual web images taken from the Internet into one scene. Despite the cinematic motion of the image, it seems like a still photo.

poster

?

20

/2/

In this elegant demonstration, Sandin explains the mistake of using common language concepts and spatial relations to describe what actually can happen on the video screen. The images generated in the tape act according to specific parameters set by the artist. Sandin has stated "The analog Image Processor was programmed to implement the logic equations; if square, if triangle and circle show circle." In this tape, Sandin is in effect arguing for a distinct video vocabulary that replaces the classical concept of perspective. This tape was produced at the University of Illinois Chicago.

poster

?

7.2

/16/

30

/1/

Scientists vanishing and mutating to Zombies. A door to another dimension. A blind woman who keeps a secret. Mysterious surreal connections that prepare an Inferno for the city of gondolas. Third part of the ANIMA PERSA trilogy (Malacreanza - Il Mondo Perduto - Inferno Veneziano).

?

65

/2/

An Experiment video by Ravin kamaran

poster

?

7.0

/14/

Brief history of the video artist and the history of the video

poster

?

40

/1/

Flooded McDonald's is a new film work in which a convincing life-size replica of the interior of a McDonald's burger bar, without any customers or staff present, gradually floods with water.

poster

?

7.4

/36/

10

/1/

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

?

10

/1/

Experimental short film by Barbara Sykes

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