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poster

?

7.5

/69/

60

/2/

D Carleton Gajdusek won the Nobel Prize for the discovery of Prions - the particles that would emerge as the cause of Mad Cow disease - while working with a cannibal tribe on New Guinea. He was a star of the scientific world. Over his years working amongst the tribes of the South Seas, he adopted 57 kids, bringing them to a new life in Washington DC. His adoptions were hailed as wonderful fatherly beneficence. But, at the height of his career, rumours began to spread he was a paedophile. Gajdusek would argue that if sex with children was okay in their own cultures, he wasn't wrong to join in. How could a great mind like Gajdusek's lose insight so totally, and why would the scientific community to which he was a hero be so quick to leap to his defence and dismiss the allegations? (Storyville)

poster

?

6.9

/61/

10

/1/

70

/2/

Cinema has long fed our fascination with other cultures, and appears to be just one facet of what is a fundamentally visual fascination. One of the most elaborate manifestations of this was the 1931 Exposition Coloniale Internationale, held in Paris to celebrate ‘la France des 5 continents’. This exhibition sought to represent to the people of France their colonial world by reordering and reconstructing it into scenes or tableaux of everyday indigenous life. This entailed shipping over scores of indigènes and forcing them to act out the gestures of their ‘everyday lives’ under the eyes of 1930’s Parisian society. A slightly less elaborate, although equally controversial at the time, visual representation of The Other was one of the first film documentaries to be made which sought to represent the lives of a colonised people, Marc Allégret’s Voyage au Congo.

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