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poster

73

41

7.4

/1540/

69

/28/

71

/43/

3.8

/2446/

75

/10/

After living a traumatic experience in Tokyo, Yukiko returns to Kyoto, where Hatsuko, her mother, runs a brothel, which upsets Yukiko very much.

poster

71

34

7.0

/1434/

65

/24/

63

/33/

3.5

/2428/

87

/5/

A professor, Komiya, and his bossy wife, Tokiko, are to look after Setsuko, their high-spirited niece from Osaka. Despite being a minor, Setsuko is a liberated woman who does whatever she wants, including smoking. She even convinces Koyima to take her to a geisha house. When she gets rather tipsy, the professor calls Okada, one of his students, to take her home. The wife becomes suspicious of Setsuko when she sees Okada bringing her home.

poster

64

31

6.5

/1704/

64

/22/

67

/20/

3.2

/428/

62

/453/

Famed movie director Paul Robaix breaks with tradition by not casting his actress-comedienne wife, Lucy Dell, in his latest film production, a version of Madame Butterfly. Undaunted, the resourceful Lucy wings her way to Tokyo and, masquerading as a Japanese geisha, lands the coveted role from her unsuspecting husband! But in front of the cameras (and behind the pancake makeup), Lucy faces greater challenges: her lecherous leading man - and a husband who is beginning to realize that his talented new "discovery" seems vaguely familiar...

poster

?

20

/1/

Shizuku and Tamami are geisha in Atami who are rivals at the same okiya (tea house). Shizuku is a miser who will use any tool necessary to get what she wants, including sex. On the other hand, Tamami believes in doing things the traditional way, with class. With opposing personalities, these two are always at each other’s throats. Tamami continues to blame herself for her mother’s suicide while Shizuku never knew parental love and doesn’t have good luck with men. Learning each other’s past, the two seem to have built a strong bond… that is until Kenzo, the event producer of the 2020 Tokyo Olympics comes to Atami. Kenzo will be making a movie about traditional Japanese culture for PR and would like to have either Shizuku or Tamami in it. Tamami sees this as an opportunity to fulfill her dead mother’s dreams, while Shizuku sees this as a path to getting rich. The two compete for who will get the contract for this dream opportunity.

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