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poster
Kanopy
86
7.9
/64465/
75
/1205/
76
/1249/
4.0
/107149/
100
/51/
86
/1131/
97
/22/

Battleship Potemkin (1925)
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.
poster
74
73
7.2
/11323/
69
/366/
69
/260/
3.6
/41872/
88
/8/
78
/53/

Viy (1967)
A seminary student on monastery holiday kills an old witch in a remote village. The hag then transforms into a beautiful young woman whose dying wish is for him to watch over her wake for three nights. With terrors occurring and his faith waning, he reads prayers on the overnight watch and tries to survive the supernatural encounters.
poster
70
29
7.5
/1841/
60
/21/
68
/49/
80
/2/

The Forty-First (1956)
An unexpected romance occurs for a female Red Army sniper and a White Army officer.
poster
?
7.4
/65/
40
/2/
60
/1/

Death and the Cherry Tree (1968)
Three children play games on a deserted beach.
poster
?
6.2
/16/
45
/2/

Was Not There (1987)
High school student Vasily Serov, a troubled teenager equally capable of both good and bad deeds, falls in love with Irina Zvyagintseva, the daughter of the school principal. Friendship with Ira sharpens in him feelings of justice, nobility. One day Vasya accidentally gets into trouble. With his friend Lyokha he took away sneakers on the beach. Now the police are looking for him.
poster
?
6.8
/51/
56
/3/
60
/2/

The Kuleshov Effect (1969)
An excellent 1969 documentary, S. Raitburt’s The Kuleshov Effect, made about a year before Lev Kuleshov died, and interviewing him at length, both about his filmmaking and his far lengthier career as a teacher (including some fascinating remarks about Bertolt Brecht’s Galileo). Also interviewed is the father of Russian Formalism, Viktor Shklovsky, who worked with Kuleshov as a screenwriter on a Jack London adaptation, By the Law, in 1926.
poster
59
?
6.7
/107/
53
/3/
58
/11/

The Silence of Pelešjan (2011)
A documentary about the Armenian avant-garde filmmaker, Artavazd Pelešjan.
poster
61
?
6.6
/163/
50
/4/
58
/9/
3.5
/240/

The Daughter-in-Law (1972)
A woman whose husband has been killed in WWII lives with her father-in-law in the desert. She cannot leave and go back to her family, because that would mean the end of hope that her husband, a heroic pilot, might return one day.
poster
?
6.4
/43/
68
/4/

The Soviet Revolution Told Through its Cinema (2017)
The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.


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