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poster

78

72

7.2

/8165/

72

/185/

71

/186/

3.8

/10496/

100

/11/

77

/58/

Based partially on the story of Bonnie and Clyde, Eddie Taylor is an ex-convict who cannot get a break after being released from prison. When he is framed for murder, Taylor is forced to flee with his wife Joan Graham and baby. While escaping prison after being sentenced to death, Taylor becomes a real murderer, condemning himself and Joan to a life of crime and death on the road.

poster

70

6.6

/2107/

66

/80/

60

/29/

3.5

/2371/

88

/51/

65

/40/

75

/21/

3.0

When her husband is sentenced to eight years in prison, Ruby drops out of medical school in order to focus on her husband's well-being while he's incarcerated - leading her on a journey of self-discovery in the process.

poster

52

21

6.0

/1154/

61

/32/

56

/25/

2.9

/844/

27

/18/

A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were used by her and everyone had a motive to see her dead. The only witness to the crime has also been 'rubbed out'. Only one man, the keen, fascinating, debonair detective Philo Vance, would be able to figure out who is the killer.

poster

80

?

7.4

/243/

77

/8/

100

/1/

3.6

/445/

With extraordinary access and urgent storytelling, Antidote anchors its timely narrative on whistleblowers and activists who have worked to uncover Vladimir Putin’s deadly regime — and are now facing dangerous and fatal consequences for their courageous actions.

poster

34

?

5.8

/118/

35

/2/

10

/1/

When her estranged, drifter husband Matt returns after spending seven years in prison to ask her to let him be a part of her life again, Rachel Kirby's life is thrown into turmoil, which also affects her teenage daughter and mother.

poster

51

?

6.1

/319/

50

/2/

44

/6/

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

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