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poster

82

7.5

/58158/

74

/1195/

73

/863/

4.0

/69936/

90

/116/

87

/2768/

82

/30/

4.0

age 16+

In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.

poster

81

7.7

/289181/

75

/9418/

74

/3151/

4.1

/1120274/

96

/377/

75

/309/

87

/62/

3.5

age 15+

Two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them.

poster

72

7.1

/35781/

72

/751/

68

/502/

3.5

/20142/

78

/49/

84

/744/

59

/20/

3.0

age 15+

Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.

poster

51

5.1

/10043/

58

/979/

50

/502/

2.7

/6572/

56

/43/

38

/60/

52

/8/

2.0

1920, rural Ireland. Anglo-Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; and if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother - and with the curse that haunts them.

poster

36

30

4.6

/2773/

40

/48/

46

/56/

2.2

/2365/

30

/10/

10

/41/

40

/5/

In the slums of Dublin during the Irish Civil War, the Boyle family’s fragile stability collapses after news of an unexpected inheritance lures them into a false sense of prosperity. Captain Boyle, a boastful idler, squanders their meager resources, while his wife Juno holds the household together. When the fortune proves illusory, the family faces ruin, betrayal, and tragedy.

poster

54

18

5.8

/928/

45

/10/

54

/21/

60

/12/

This is the story of a young Irish woman who comes to Spain to escape from the pressures she feels about her impending marriage to a political activist in Ireland. But in Spain in the 1930's, taking a job of governess in a wealthy family, she finds the same kinds of political unrest. In fact, it isn't long before she finds herself attracted to a married man who is similarly involved in the struggle against fascism and Franco. This awakens her to her nature that brings her to such men and resolves for her what she must do about the life she left in Ireland

poster

73

11

7.6

/189/

75

/13/

67

/10/

3.7

/388/

Recounts Ireland's history from British colonization to the territory's division in 1922, then from 1968 details a decade of events through images and eyewitness accounts of killings and such massacres as the infamous "Bloody Sunday" as the IRA argues their cause.

?

6.3

/29/

10

/1/

This film explores the development and use of images and music which personify Ireland as a woman in Irish culture and nationalism. The film highlights how these cultural and stereotypical images of Ireland as a woman influence the idealised model of woman demanded by Irish society. It uses historical film, photographs, political drawings, cartoons and music to explore the largely unrecorded role of women in Irish history and presents realistic images of Irish women at work today.

poster

62

?

6.3

/355/

68

/12/

65

/4/

53

/6/

This remarkable new documentary explores the story behind one of the most iconic images of the twentieth century: the 1932 photograph of workmen taking their lunch while perched on a girder high above New York City.

poster

?

8.5

/22/

10

/1/

Documents the period 1919-1922 in Ireland's history, covering the war of independence against the British and the civil war that followed using archive footage from the time, including original newsreel footage.

poster

?

6.0

/90/

35

/6/

50

/6/

Ascendancy is a 1983 British film. It tells the story of a woman who is a member of the British landowning 'Ascendancy' in Ireland during World War I. Gradually, she learns about the Irish independence movement, and becomes involved with it.

poster

?

Can you be loyal to two nations? It's the question posed to the Anglo-Irish class of the 1930s. Landed Protestants with English accents, growing up in a newly independent, Catholic, and staunchly anti-English Ireland. This doc takes a personal look at this historical identity crisis, rich in contradictions. Tracking one family's fortunes the film explores how, as Irish nationalism took hold, this individualistic family fought to stay in Ireland.

poster

?

Combining talking head testimony with elegantly recreated scenes, this extraordinary, daring documentary tells the previously unheard story of how women who loved other women contributed to the fight for Irish independence from the British Empire. A vital contribution to charting an essential gay history of Ireland, Croíthe Radacacha (which is translated as ‘radical hearts’) depicts lesbians at the heart of the Irish revolution as uncompromising in their politics, committed to feminism, socialism and equal rights. Many would take arms in the struggle and many would die. Ciara Hyland’s film nobly revives their memory and acknowledges their courage.

poster

?

Why is it that stories of sexual violence against women have never been part of the Irish War of Independence and the subsequent Civil War? Why, when those stories have been such an integral part of every other war – World War One, World War Two and even the later Bosnian War, are these stories missing from the Irish Revolution? For years, Ireland has been seen as being exceptional in that these acts didn’t occur here. But was Ireland really so special? Was the nature of war here so very different from war everywhere else? And did our men really behave so well? This documentary argues that the answer is no.

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