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poster

58

6.3

/7225/

63

/100/

61

/110/

3.1

/3492/

52

/93/

43

/276/

56

/28/

3.0

Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky's The Rite of Spring is about to be performed. The revolutionary dissonances of Igor's work parallel Coco's radical ideas. She wants to democratize women's fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.

?

5.7

/46/

47

/4/

60

/3/

Igor: The Paris Years, one segment of a larger biographical program created for Channel 4 on the life and times of Igor Stravinsky, finds the brothers working in a slightly different vein than the one that would come to characterize their later work. This is the first section, which covers the pianist’s “French period” from roughly 1920-1939, and it details, among other things, his connection with Jean Cocteau (who, as a matter of fact, contributes voice work to this project). Filtered through gonzo and impressionistic puppetry (often bearing strong resemblance to the work of Terry Gilliam), the film takes an unconventional and often beautiful stab at the television biography special.

poster

70

?

7.0

/245/

50

/1/

90

/1/

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

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