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poster

69

57

6.9

/4192/

68

/81/

65

/62/

3.2

/1886/

79

/130/

Into an era seething with war and revolution, a man comes with an incredible power to heal a nation...or destroy it. Based on the true story of one of the most powerful and mysterious figures in Russian history.

poster

67

38

6.8

/3370/

66

/41/

62

/53/

3.4

/819/

74

/14/

In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last Judgment approaching. He establishes absolute power, cruelly destroying anyone who gets in his way. During this reign of terror, Philip, the superior of the monastery on the Solovetsky Islands, a great scholar and Ivan's close friend, dares to oppose the sovereign's mystical tyranny. What follows is a clash between two completely opposite visions of the world, smashing morality and justice, God and men. A grand-scale film with excellent leading roles by Mamonov and Yankovsky. An allegory of Stalinist Russia

poster

57

19

6.4

/372/

55

/9/

61

/20/

3.4

/715/

40

/20/

A compilation of newsreels shot between 1913 and 1917 - the years leading up to the Russian Revolution.

poster

70

18

7.3

/419/

58

/7/

75

/13/

3.7

/754/

A possible impostor torments a newly crowned medieval czar who may have ordered the real successor's death.

poster

69

17

6.9

/646/

65

/12/

72

/15/

3.5

/439/

Vienna glove-sales-lady Christel falls in love with Russian Czar Alexander. Austrian Prince Metternich tries to use this and other pleasant diversions to keep him out of the negotiation conferences of the 1815 Vienna Congress.

poster

64

15

6.0

/691/

50

/12/

63

/21/

3.4

/400/

80

/3/

The film follows the life of Napoleon from his early life in Corsica to his death at Saint Helena. The film is notable for its use of location shooting for numerous scenes, especially at the French estates of Malmaison and Fontainebleau, the Palace of Versailles, and sites of Napoleonic battles including Austerlitz and Waterloo.

poster

?

7.4

/209/

N/A

poster

?

7.9

/18/

20

/2/

Universally acknowledged as the greatest of all Russian operas, this is a faithful and often dazzling production of the standard Rimsky-Korsakov version taped live at the Bolshoi in 1978. As Boris, the renowned Yevgeni Neterenko is as justifiably identified with the role in his generation as Chaliapin, London and Kipness were in theirs. Nesterenko gives a remarkably vivid, human portrait of the tormented half-crazed Tsar, and is supported by a first rate ensemble in a richly designed and costumed production that represents opera at its grandest. Particularly outstanding are Vladislav Piavko as the Pretender, Valery Yaroslavtsev as Pimen, Irina Arkhipova as Marina (a role generally associated with Vishnevskaya), Galina Kalinina as Xenia, and Alexsei Maslennikov as the Simpleton.

poster

?

6.6

/17/

10

/1/

60

/1/

A musical based on Russian folklore and fairytales.

poster

?

3.6

/28/

In Czarist Russia, a young student becomes embroiled in a plot to kidnap the Chief Prosecutor.

poster

58

?

5.9

/302/

50

/11/

65

/4/

Ivan, first tsar of Russia. History will remember him as "the Terrible. Russian people love him for centuries. He liberates Russia from foreign oppressors, demands absolute obedience and loyalty in order to radically modernise Russia? Ivan IV, Grand Duke of Moscow, first Tsar of Russia by the grace of God. A madman? A sadist?

poster

67

?

7.0

/169/

65

/2/

39

/8/

Depicts Russian Tsar Peter the First's conquest over the Swedes and his son Aleksey's plot to overthrow him.

poster

65

?

7.2

/271/

70

/3/

47

/11/

This, the first Soviet depiction of Peter the Great, set the stage for what would become the post-Revolutionary line concerning the early Romanovs. Rulers like Ivan the Terrible and Peter the Great were widely admired for their dedication to Russia and their absolute determination to enhance her position in the world. But praise for the hated later Romanovs conflicted too heavily with the very beliefs that had brought about the Revolution in 1917.

poster

57

?

6.3

/165/

52

/9/

A copying error by a military scribe turns the Russian words "the lieutenants, however" into what looks like "lieutenant Kizhe". The Tsar reads the error, and wants to meet this (non-existent) lieutenant. The courtiers, eager to avoid the wrath of the temperamental Tsar, create a Kizhe to serve as their royal scapegoat.

poster

38

?

4.5

/242/

32

/5/

In December 1917, a Finnish delegation arrives in St. Petersburg to meet Vladimir Lenin to seek recognition of Finland's independence.

poster

?

80

/1/

About the shooting of a workers' demonstration on January 9, 1905. The film has not been completely preserved.

poster

?

6.3

/87/

20

/1/

49

/8/

The film is based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people under his authority with kindness and equanimity. But when a local factory goes on strike, the governor buckles under to pressure from the Tzar and orders the wholesale slaughter of the strikers. He pays for this betrayal of his trust with his life -- at the hands of a courageous Bolshevik spy.

poster

56

?

5.8

/116/

55

/2/

The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power with pain and anger, the author tries to uncover the reason of the country’s and nation’s tragedy.

poster

69

?

7.2

/248/

74

/5/

64

/9/

The years of the tsar’s adolescence and youth were permeated with deadly danger coming from some of the Boyars, the rebellious Streltsy and Tsarevna Sophia who aspired for power. But already at that early time Peter demonstrates a profound, bright intellect, a strong will and the sense of purpose, which help him disarm both his open and secret enemies.

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