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poster
Netflix
90
8.5
/373024/
85
/9790/
84
/6236/
4.5
/992532/
100
/50/
95
/5484/
94
/16/
8.5
/443809/
cc age 15+

Grave of the Fireflies (1988)
In the final months of World War II, 14-year-old Seita and his sister Setsuko are orphaned when their mother is killed during an air raid in Kobe, Japan. After a falling out with their aunt, they move into an abandoned bomb shelter. With no surviving relatives and their emergency rations depleted, Seita and Setsuko struggle to survive.
poster
Kanopy
83
7.4
/119311/
74
/4540/
73
/1768/
4.1
/492877/
98
/325/
92
/96/
89
/49/
cc age 13+

Minari (2021)
A Korean American family moves to an Arkansas farm in search of its own American dream. Amidst the challenges of this new life in the strange and rugged Ozarks, they discover the undeniable resilience of family and what really makes a home.
poster
72
11
7.5
/351/
66
/11/
68
/17/
3.5
/221/
82
/2/

Think Global, Act Rural (2010)
N/A
poster
61
9
6.2
/249/
64
/5/
50
/11/
3.4
/333/

Visitors (2009)
Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi


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