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poster
Kanopy
87
8.2
/8838/
79
/204/
78
/89/
3.9
/2370/
96
/97/
94
/1228/
89
/28/

No End in Sight (2007)
Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 - and the backgrounds of those making decisions - immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over.
poster
Kanopy
74
7.5
/134587/
71
/2593/
70
/1477/
3.6
/62918/
82
/235/
70
/7071/
67
/43/
cc age 16+

Fahrenheit 9/11 (2004)
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
poster
Kanopy
74
7.4
/9509/
75
/501/
70
/148/
3.5
/3430/
84
/70/
74
/186/
76
/18/

Dirty Wars (2013)
Investigative journalist, Jeremy Scahill is pulled into an unexpected journey as he chases down the hidden truth behind America's expanding covert wars, and examines how the US government has responded to international terrorist threats in ways that seem to go against the established laws of the land.
poster
79
67
8.2
/8119/
81
/547/
74
/152/
4.2
/24510/
78
/7/

HyperNormalisation (2016)
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
poster
59
50
5.8
/5688/
59
/136/
60
/81/
3.0
/5516/

Perfect Strangers (2022)
A dinner party unravels when a tight group of friends agree to leave their phones unlocked on the table, exposing juicy interactions and dark secrets.
poster
44
4.7
/12694/
53
/179/
45
/161/
3.2
/19139/
40
/60/
39
/303/
51
/16/

Ishtar (1987)
Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.
poster
Kanopy
68
17
7.4
/658/
71
/13/
58
/11/
3.5
/765/

Reel Bad Arabs: How Hollywood Vilifies a People (2006)
This documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged form the earliest days of silent film to today's biggest Hollywood blockbusters. The film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.
poster
?
100
/1/

Atlal (Remnants)
'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.
poster
The Roku Channel
?
7.8
/24/
40
/1/
50
/1/

Cairo Jazzman (2017)
A documentary about Cairo Jazz Festival's Amr Salah and his struggle every year to bring people and arts together in a country where 70% of people are under 30 and the Officials do not care about culture too much.
poster
?
7.7
/10/

Asphalt (2016)
Asphalt' delves into the lives of two truck drives on the road, crossing borders, towns and cities, loading and unloading goods. Lebanese truck driver, Derar Nsseir, transports goods across Syria, Jordan and all the way to other countries. Meanwhile, Mohamad Mehani, an Egyptian, drives across Egypt and to the Sudanese border delivering necessities. Yet these two have one thing in common: making a living in ever-changing scenery on an asphalt road that stretches miles across the Arab world. 'Asphalt' takes us on a journey to examine closely the subtle relationship between man and machine, and provides a reflection on life from behind the wheel. —Hammoud, Ali


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