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poster

53

51

6.1

/11406/

66

/325/

58

/162/

3.0

/7847/

17

/12/

58

/516/

age 11+

Morris "Mud" Himmel has a problem. His parents desperately want to send him away to summer camp. He hates going to summer camp, and would do anything to get out of it. Talking to his friends, he realizes that they are all facing the same sentence: a boring summer camp. Together with his friends, he hatches a plan to trick all the parents into sending them to a camp of their own design.

poster

65

37

6.6

/1217/

59

/20/

65

/36/

3.4

/1353/

60

/5/

71

/13/

During a dinner given by a wealthy baron and his wife, attended by four of her suitors in a 19th century German manor, a shadow-player rescues the marriage by giving all the guests a vision what might happen tonight if the baron stays jealous and the suitors do not reduce their advances towards his beautiful wife. Or was it a vision?

poster

51

?

5.8

/201/

34

/5/

46

/6/

3.3

/466/

The director turns the diary of his sexual adventures into a serial narrative in the style of “One Thousand and One Nights”. This polyamorously-minded queer musical applies the same playful approach to folk tales as it does to Egyptian pop music.

poster

49

?

5.0

/182/

55

/2/

45

/7/

A CIA agent roams the streets of New York haunted by the death of the beautiful woman he fell in love with while on assignment in Jakarta. When he is kidnapped and drugged, the destination is Jakarta once again where he tries to unravel the mystery that is the city which broke him three years earlier.

poster

?

7.1

/88/

55

/2/

75

/2/

Shadow puppetry is not only part of the heritage of East Asia; Greece had its own traditional form of this popular art. In this leisurely drama, set in 1950s Athens, Antonis Barkis (Kostas Kasakos) is the master puppeteer for a traditional shadow show. However, although he is still making a living, it is clear that other forms of popular entertainment will soon supplant this one. This does not improve Antonis' temper, and his assistant's desires to modernize their entertainments only make it worse.

poster

?

7.3

/46/

20

/1/

60

/1/

It’s quite telling that Katja Raganelli chose the animation pioneer Lotte Reiniger as her gateway figure into German cinema’s past. Like Alice Guy-Blaché, she was prolific, and worked in all kinds of formats, including commercials and animated interludes for fiction features. More than Guy-Blaché, though, she was an inventor of forms and techniques whose genius was admired by the likes of Bertolt Brecht. It says a lot about film history that Reiniger remains still a specialists’ darling…

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