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poster

79

7.5

/24545/

73

/484/

74

/529/

4.0

/57819/

92

/26/

86

/382/

3.0

While vacationing on a remote German island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.

poster

63

6.5

/143453/

63

/3533/

66

/2736/

3.4

/227307/

53

/178/

55

/3625/

49

/34/

3.5

A grieving couple retreats to their cabin 'Eden' in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.

poster

57

5.7

/3325/

51

/62/

53

/45/

3.1

/2785/

57

/14/

47

/44/

3.0

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

poster

57

53

6.1

/6560/

61

/210/

60

/155/

3.3

/9902/

42

/12/

53

/106/

There is a global civil war between men and women. A teenage girl tries to escape this reality and arrives at a hidden place where a strange unicorn lives with a family: sister, brother, many children and an old, bedridden woman who stays in contact with the world through her radio.

poster

74

41

7.4

/1638/

70

/31/

74

/58/

3.7

/1801/

78

/9/

Bruno is released from prison. He looks for a job and tries to start a new life. His first stop is at his father's apartment.

poster

?

5.7

/73/

48

/6/

The film’s hero, Ilyich, cannot understand what’s wrong with him. Ilyich is a for- mer “mole”, an external observation agent in the KGB, then FSB. A skilled instructor. Now he is retired. From loneliness, he continues to watch those who catch his attention and curiosity. The doctor diagnoses him with empty sella syndrome (the syndrome of an empty Turkish Seat), which poses no danger for society... One day new neighbours move in, a young couple of musicians, and Ilyich’s life changes...

poster

?

8.5

/32/

20

/1/

In the awe-inspiring Teatro Olimpico,Vicenza, Cecilia Bartoli, recognised as one of the best singers of our time, gives the most outstanding recital of work from a variety of composers such as Caccini, Schubert, Handel, Vivaldi, Bellini, Donizetti,Mozart, Rossini, Viardot and Bizet.

poster

67

?

8.1

/250/

58

/7/

62

/5/

It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience.

poster

?

7.7

/83/

10

/1/

60

/1/

Directed by Tony Palmer for Melvyn Bragg's British television South Bank Show, this doco on Callas uses interviews with those that knew the Greek soprano, news footage, and Callas herself talking intercut in time with footage of her singing, often with the choice of music commenting on her life, though regrettably none of the music is identified for us.

poster

?

9.0

/59/

10

/1/

The 1959 concert finds Callas just 1 year before the loss of her voice and although her voice is not what it was in 1952 you can still hear the Vocal Miracle. The repertoire interchanges between heavy dramatic soprano (Lady Macbeth, Elisabetta), to soprano coloratura (Rosina) and to soprano dramatico d'agilita (Imogene in Pirata, Gulia). The maturity of the interpretation regarding the legatti, the phrasing is astounding and Callas dominates each aria singing them in the only possible way. "Tu che invoco" appears as a cataract of dramatic phrases in a fine classical style of this classical period opera, then Lady Macbeth appears diabolical & dark although she avoids keeping her voice in the high C, her Rosina is sparkling and facile in the coloratura as if it is a natural way of speaking and Elisabetta is where time stops: the drama in this aria holds a metaphysical aura. Finally her entire Mad Scene from Pirata shows all her talent as an actress and bel canto singer.

poster

?

8.4

/46/

20

/1/

100

/1/

Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.

poster

?

8.7

/8/

100

/1/

The Russian operatic singers Anna Netrebko and Dmitri Hvorostovsky captured live in performance at the historic Red Square in Moscow.

poster

32

?

5.9

/141/

10

/1/

The daughter of a slain man pushes her brother toward vengeance in 19th-century Corsica.

poster

?

7.9

/84/

20

/1/

80

/2/

The Three Tenors: Paris 1998 (re-released with the subtitle The Concert of the Century) is a live album by José Carreras, Plácido Domingo, and Luciano Pavarotti with conductor James Levine. The album was recorded at a Three Tenors concert on 10 July 1998 during celebrations for the FIFA World Cup. The concert took place in front of the Eiffel Tower on the Champ de Mars in Paris, France. The Orchestre de Paris accompanied the singers. The audience at the live concert numbered around 150,000 people.[2] A sound system and large screens were placed along the Champ de Mars for the crowds further back to see and hear the performance.[2] Producer Tibor Rudas claimed prior to the concert that 2 billion viewers were expected to watch the televised performance worldwide.[3]

poster

?

7.8

/40/

50

/4/

85

/1/

Pavarotti & Friends

poster

?

6.2

/61/

60

/1/

46

/5/

A hungry little street girl discovers the magic and the dangers of an opera-singing ogre's kitchen.

poster

?

8.5

/22/

30

/1/

All-time classical favourites from the first ever public concert held in the grounds of Buckingham Palace, hosted by Her Majesty Queen Elizabeth II. Broadcast live on BBC Television, 1st June 2002. Opera fans are in for a particular treat with Dame Kiri Te Kanawa (singing Bizet and Gershwin), Sir Thomas Allen (Rossini and Sir Edward German), and Roberto Alagna and Angela Gheorghiu (Puccini and Verdi) sharing the honours. Maestro Mstislav Rostropovich also makes a rare guest appearance with the cello section of the London Symphony Orchestra playing Villa-Lobos.

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