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poster

?

80

/1/

Irish director Donagh Coleman explores the extraordinary phenomenon of Tukdam, whereby some Tibetan Buddhist practitioners are able to forestall physical decay at the point of clinical death for days, even weeks, by entering a deep meditative state. Supported by His Holiness the Dalai Lama a group of leading scientists conduct groundbreaking research into the phenomenon, which challenges Western medical understanding of the line between life and death.

poster

?

7.1

/100/

70

/2/

80

/1/

Most of us think of death as something clear-cut, and that medical science has it neatly figured out. This feature documentary explodes such assumptions through its exploration of a phenomenon that blurs life and death to an unprecedented degree. In what Tibetan Buddhists call tukdam, advanced meditators die in a consciously controlled manner. Though dead according to our biomedical standards, they often stay sitting upright in meditation; remarkably, their bodies remain fresh and lifelike, without signs of decay for days, sometimes weeks after clinical death. Following ground-breaking scientific research into tukdam and taking us into intimate death stories of Tibetan meditators, the film juxtaposes scientific and Tibetan perspectives as it tries to unravel the mystery of tukdam.

poster

?

5.3

/68/

42

/7/

69

/5/

In Sardinia, in the near future, the ancient settlements come back to life, once again hosting man. The young Mila is robbed of her father's inheritance by her paternal uncles. After many adventures she manages to obtain revenge. Despite this, the girl still struggles to find serenity and therefore decides to undertake a spiritual journey in search of herself.

poster

?

55

/2/

Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?

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